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Curated by our students, for our students
The Kent Print Collection is an ongoing experiment in collecting: only undergraduate students are allowed to buy works of art for the collection. Through the module ‘Print Collecting and Curating’, students plan an exhibition based on the Kent Print Collection, acquire works and negotiate loans to support the exhibition, and publish a catalogue to accompany the show.
Since the Collection was founded in 2005, students have developed it in partnership with some of the UK’s leading artists, curators, collectors and art dealers. We are proud that our students’ work has been reviewed in leading international art journals.
"The University of Kent has for the past several years been producing exemplary small catalogues of exhibitions drawn from the University’s print collection." Art in Print, 2012
"Under the direction of Dr Ben Thomas, Studio 3 Gallery has established itself as a venue for innovative, well curated exhibitions with printmaking featuring prominently in the programme." Printmaking Today, 2014
St Jerome
The Circumcision of Christ from the 'Life of the Virgin'
Alpheus and Arethusa
St Peter Raising Tabitha after Guercino
Ingrate patrie, tu n’auras pas mon oeuvre!
Christ and the Adultress
(Hippolyte Guillaume Suplice Chavalier 1804-66), Un Auteur d’une “Ode à Venus”
Scene from the Triumphal Procession of Maximilian I
The Awakening
Cow Lying Down Near a Fence
Two Oxen Fighting
Procession of Bacchus after Annibale Carracci
Portrait of Sir Thomas Chaloner, after Van Dyck
Andromache weeping over the ashes of Hector, after Angelica Kauffmann
Portrait of Viscountess Townshend, after Joshua Reynolds
Evening
Cavalier arabe attaqué par un Lion, after Eugene Delacroix
A Lock on the Stour, Suffolk, after John Constable
Apelles and Campaspe
Autumn
Summer
Winter
Spring
Blast Furnace at Night
The Bathers, after Watteau
Quos Ego
Tapping
Death of Adonis
Lord Baltimore and the Group of Legislators
Vera Effigie della
Une Surprise
Sara La Baigneuse
Miren que grabes!, Los Capricos 63
Effigie della Ven
Elisabetta Maria Francesca di Savoia Regina di Portugallo, after Giogio Mombasiglio
Christ and the Samaritan Woman at the Well, after Hendrik Goltzius
Christ, the Virgin and St. John with St Paul and St. Catherine ('les cinq Saints'), after Raphael
Pasquariello Truonno, Meo Squaquara
Teeming
Open Heath Furnace, Bilston
Dogbrains
Joseph interpreting Pharaoh's Dream and Joseph Telling His Dream to His Brethren
Venus of the Hours
The Little Seamstress (Collaboration with Richard Demarco)
Scottish Zulu (Collaboration with David Button)
Acrobats
Sea Poppy I (Collaboration with Alistair Cant)
Evening
Credulity, Superstition and Fanaticism: A Medley
Hogarth Painting the Comic Muse
La Nuit et Le Jour
Midsummer Night's Dream
Ghosts of Chelsea Reach
Comedia
Neptune calming the Tempest which Aeolus raised against Aeneas ('Quos Ego'), after Raphael
Combat of Tritons
The Dream of Aeneas
Prince Arthur's Vision, after Henry Fuseli
Sleeps Abode
James Barry, after William Evans
Bounce for Bradford
Derek Jarman
Hotel Timeo
The Finding of Moses, after Salvator Rosa
Le Present Champetre, after Watteau
New Coloured Fire in a Strange Country
Letter From Che
Fright Wig (red)
Melissa Red Jacket
Time For Gender Reassignment
Do Women Have to be Naked to get into the Met. Museum
Blind
The Kiss
James Barry, after George Dance
Parody on the School of Athens, after Joshua Reynolds
January and May
Putto With Giant Mask Frightening Three Others after Balthazar van Lemens
Les Deux Pantalons se Tournet le Dos
Fat Boy
Bearded Lady
Midget
Giant
Jake not Dinos
Unhappy Meal
Pride
Blind Man's Buff
A Long Story after Henry William Bunbury
The Siege of Namur after Henry William Bunbury
The March of Archery
Saul consulting the Witch of Endor
Hylas and the Nymphs, after Giulio Romano
Mad Meg, after David Teniers II
Le Bénédicité
Touch
Il Peccator Moribondo
Alexander in the Studio of Apelles after Salvator Rosa
Etched Lines 34
Hermaphrodite Polar Bear
Domestic Scenes 5
Unprinted I
Unprinted II
Unprinted III
Maps to Indicate Countries According to Development of the Politics of Representation
Maps to Indicate Countries According to Ability to Understand Reality as Hyperrealistic
Maps to Indicate Countries According to Penetration by Work Beyond the Object
Maps to Indicate Countries According to Development of the Everyday Critique of False Universals
The Last Supper
The Countess of Salisbury, after Godfrey Kneller
Best Wishes Gilbert and George
Pembroke Drawing No. 3
Last seen in Mauritius
Perv Duo Desecrate Tate Modern: Pictures
Cain Hiding From God
The Peasants' Brawl
Transmute
Full Stop, 12pt, CMYK, (10x20x4)
Hawksmoor at Spitalfields
Parallel Companions
The Known Unknowns
Umbra Sumus
Fan Dance
Unruhe
Der Fliessenden Welt
Prime
Over London by Rail
Moving On
Black Koan
The Spider
Babel Tower in Pieces