School of Music and Fine Art

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Lesions in the Landscape: Exploring Memory, Identity and Space

19 August 2015

Lesions in the Landscape Village Bay from above
Village Bay from above, Shona Illingworth, Lesions in the Landscape, 2015.

Lesions in the Landscape by UK/Danish artist Shona Illingworth, a Reader in Fine Art at the School of Music and Fine Art, University of Kent, is a powerful new multi-screen installation, exploring the impact of amnesia and the erasure of individual and cultural memory. Opening at FACT (Foundation for Art and Creative Technology) in Liverpool on 18 September 2015, the work tours to Sydney Australia, the Outer Hebrides, Scotland and finally to London, where there will be an international symposium in October 2016.

Revealing the devastating effects of amnesia on one woman and the striking parallels with the sudden evacuation of the inhabitants of St. Kilda in the North Atlantic in 1930, Lesions in the Landscape examines the profound effect and wider implications of memory loss on identity, space and the capacity to imagine the future. The exhibition is produced by FACT and is supported by an Arts Award from the Wellcome Trust, with additional support from University of Kent. For more information click here:

In collaboration with neuropsychologists Martin A. Conway and Catherine Loveday, Shona Illingworth has worked with and filmed Claire, who, following a trauma to her brain can no longer remember most of her past, create new memories or recognise anyone – not even herself. However the new sensory operated camera technology worn around her neck can help reactivate access to some of her 'forgotten' memories, in rare bursts of intense recollection.

The sudden end to Claire's access to her memories echoes the evacuation of the inhabitants of the remote Scottish archipelago of St. Kilda on 29 August 1930, ending over 2,000 years of continuous habitation. Both mark an abrupt and irreversible lesion in a cultural landscape. Accessing or reconstructing the past is a process fraught with difficulty and both share a sense of isolation.  They are both now the subject of scientific inquiry, St. Kilda as an outdoor laboratory for scientific investigation, a carefully preserved heritage site and a radar tracking station for complex military weapons testing, and Claire as the subject of a major neuropsychological study. And in each case, the past is continually constructed by others.


Lesions in the Landscape Stac Lee with gannets
Stac Lee with gannets, Shona Illingworth, Lesions in the Landscape, 2015.

For the project, Shona took Claire to St. Kilda, where she filmed her in this intense landscape. The installation presents three video projections and an array of up to twenty loud speakers to create a fully immersive sound environment of voice, engineered and ambient sounds. They form a richly layered composition where the sounds of thousands of calling gannets is underscored by intermittent sounds of EEG signals which capture the desolate internal landscape of Claire's amnesia as she struggles to search for her own memory of this environment.

An ongoing series of Amnesia Forums examine the politics of memory, amnesia and cultural erasure through discussion between invited artists, scientists, writers and researchers. This feeds directly into the Amnesia Museum, a growing body of works which map out the landscape of amnesia. It draws together film, photography, drawings and documents, and will be shown alongside the installation. Also included is a 32-speaker sonification of Claire's EEG, as well as neuropsychological diagrams describing the impact of the lesion on her memory.

After premiering at FACT, Lesions in the Landscape will tour to the UNSW Galleries, Sydney, Australia, Taigh Chearsabhagh Museum and Art Gallery, Outer Hebrides and finally to Dilston Grove & CGP Gallery in London. An accompanying book will be published in autumn 2016.

On 6 November, 8am – 5.30pm, Shona will be a guest speaker at the Human Futures Forum: The Unchained Horizon: a day of interdisciplinary discussions, exploring the impact of technologies upon the changing contemporary understandings of place at FACT in Liverpool. See link for further details:

About Shona Illingworth

Born in Denmark in 1966, Shona Illingworth was brought up in the Highlands of Scotland. She trained at Goldsmith's and is now based in London. She creates evocative video and sound installations that explore the experience of memory and the formation of identity in situations of social tension and trauma. Her work has been exhibited widely, including at the Museum of Modern Art, Bologna, the Wellcome Collection, London, the National Museum, Tirana and Interaccess Electronic Media Arts Centre, Toronto, screened at Whitechapel Gallery, London; Modern Art Oxford and Museum of Fine Art Lausanne and she has received commissions from Film and Video Umbrella, the Hayward Gallery, London and Channel 4 Television.

About FACT

FACT (Foundation for Art and Creative Technology) is the UK's leading media arts centre, based in Liverpool and is focused on bringing people, art and technology together. FACT's award-winning building houses three galleries, a café, bar and four cinema screens. Since the organisation was founded in 1988 (previously called Moviola), it has commissioned and presented over 250 new media and digital artworks from artists including Pipilotti Rist, Nam June Paik, Bill Viola, Apichatpong Weerasethakul and Isaac Julien.


Opening hours: “Tuesday – Sunday 11am – 6pm”
Tickets: Free entry
Address: FACT, 88 Wood Street, Liverpool, L1 4DQ
Phone: +44(0) 151 707 4444
Website:    Twitter: @FACT_Liverpool


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