I joined the University of Kent in 2007 from the University of Birmingham, where I was lecturer in English and History and Fellow of The Shakespeare Institute. I’m interested in the relationship between texts and the material circumstances of their production and consumption – for instance the way individuals described objects as they wrote them into probate inventories, or how theatre audiences ‘saw’ spaces in relation to the dialogue of a play, the physical nature of the theatre and their own memories and imaginations. My research, then, focuses on the movement between living and writing, between experience and narrative.
An edition of Arden of Faversham for Arden Early Modern Drama, for which I’m working on its different performance histories, as amateur and professional theatre, as a puppet play, a ballet and an opera, from the sixteenth century to the present.
I have just finished a book with Tara Hamling at Birmingham on middling domestic interiors – trying to understand the experience of living in an early modern house – from bed chambers and warming pans to apostle spoons and chamber pots, titled A Day at Home in Early Modern England. I have previously run an AHRC research network on Ways of Seeing the English Domestic Interior, 1500-1700: the case of decorative textiles also with Tara, which investigated peoples’ experience of household life in the sixteenth and seventeenth centuries and considered how we might use this information to enhance our experience of visiting historic properties in the twenty-first century. The network used the latest developments in computer science and cognitive science in order to understand how the domestic interior was experienced in early modern England, and it brought together researchers in the humanities and sciences, conservators, museums curators and heritage professionals, including individuals from English Heritage, the Victoria and Albert Museum, Historic Royal Palaces and the Shakespeare Birthplace Trust. In order to make the task more manageable, we focussed on a specific case study – ‘how did early modern men and women respond to decorative textiles in their houses?’ Find out more about the network here. There’s also more information about this and other projects on the Material Histories blog.
I am working on a long-term project on the clothing of those below the level of the elite in early modern England, focusing on the function of dress in an urban context. This offers an opportunity to examine the relationship between prescriptive discourses about clothing – sumptuary legislation, moral literature etc, and the evidence of social practice available from testamentary and judicial documents. In common with the majority of my work, this project is based on extensive examination of local archival materials, and an attempt to relate these to national discourses and the material remains of the period.
Office: W3.N6 (Rutherford)
Study leave Autumn Term 2018
Also view these in the Kent Academic Repository
- Early modern material culture – households, clothing, possessions and spaces.
- Early modern drama – domestic tragedy, Shakespeare, site-specific performances.
- Everyday life – what people did, who they did it with, what gestures and emotions they employed, how they recorded what they found important, how status and gender shaped everyday experience and interaction.
During the academic year 2016/17, I will be teaching on:back to top
I welcome graduate students in any areas of the dramatic, social and cultural history of the period, and am particularly interested in supervising interdisciplinary projects. I have previously supervised students working on various aspects of Shakespeare studies, early modern account books kept by women, military culture, the construction of community and ecclesiastical court depositions.