This MA, taught at Kent’s Paris School of Arts and Culture, provides a structured introduction to the postgraduate study of the history and philosophy of art. It is the only History and Philosophy of Art MA offered by a British university in Paris and taught in English.
The programme is intended for graduates in art history, philosophy and related subjects, such as fine art. It gives you the opportunity to pursue your interest in visual art at advanced level and within an interdisciplinary context, to develop a high level of expertise in topics in history and philosophy of art and to prepare for doctoral research in history of art or philosophy of art.
You spend the entire year at Kent’s Paris School of Arts and Culture where you study at the Columbia Global Center (known as Reid Hall), which is located in a historic corner of Montparnasse in the heart of Paris. This allows you to participate in excursions to prominent cultural locations and make use of research resources that are only available in Paris. You have the unique opportunity to study the arts at postgraduate level within the context of a city that has been at the very centre of many crucial artistic and art theoretical developments in the past few centuries.
On this 12-month programme, you can choose to begin your studies in September or January and can take a standard (90 ECTS) or an extended (120 ECTS) version of the programme (full-time students only). Part-time study is only available for EU/EEA passport holders, and for those who have the right to remain in France for the duration of their degree.
Studying at the Paris School of Arts and Culture
The Paris School of Arts and Culture is a specialist, postgraduate centre located in the heart of Paris. We offer interdisciplinary, flexible programmes, taught in English, which take full advantage of all the cultural resources Paris offers. Study trips to the city’s museums, art exhibitions, archives, cinemas and architectural riches are an integral part of your studies.
The interdisciplinary nature of the School means you can choose modules from outside your subject area, broadening your view of your subject. As part of our international community of students and staff, you can take part in regular seminars and talks, write for the student-run literary magazine or help to organise our annual student conference.
Students interested in taking this MA as a part-time option would take two modules each year (one per term), plus the dissertation in the final year. The programme can also be studied in Canterbury only or with the year shared between Canterbury and Paris.
About the Department of History & Philosophy of Art
The History of Art Department within the School of Arts provides opportunities for graduate study with well-established researchers in the fields of art history, philosophy of art and aesthetics. Staff research covers contemporary art and aesthetics, modernism, the history and philosophy of portraiture, the historiography of art and the Cold War, biographical monographs, the photograph (in its historical, contemporary and critical contexts), and the historical interplay of image, theory and institutions from the Renaissance to the present (especially European and North American).
Studying art as a postgraduate at the University of Kent in Paris will give you the opportunity to experience our rich resources of academic expertise and participate in the activities of the multidisciplinary Aesthetics Research Centre and the Art History and Visual Cultures Research Centre. Our research and teaching will engage you in a dialogue with aesthetic, conceptual and historical perspectives.
In the Research Excellence Framework (REF) 2014, Arts at Kent was ranked 1st for research power and in the top 20 in the UK for research quality.
An impressive 98% of our research was judged to be of international quality. The School’s environment was judged to be conducive to supporting the development of world-leading research.
The following modules are indicative of those offered on this programme. This list is based on the current curriculum and may change year to year in response to new curriculum developments and innovation.
The programme will require you to study a combination of compulsory and optional modules. The core compulsory modules are:
- Key Concepts and Classic Texts in History and Philosophy of Art
- Modern Art in Paris
In order to allow you to explore other subject areas that interest you will have the option to take one of the modules from other programmes that are on offer at the Paris campus:
- EN904 - Modernism and Paris
- FI821 - Film and Modernity
- FR820 - Paris: Reality and Representation
- TH830 - Religion and European Thought
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HA838 - Key Concepts and Classic Texts in History and Philosophy of Art
This module will introduce you to key concepts that are central to understand fundamental debates in history and philosophy of art as well as art criticism. Some examples of key concepts are the notion of originality, influence, race, the aesthetic, fiction, beauty, gender and taste. The key concepts discussed in the seminars are subject to change.Read more
HA841 - Modern Art in Paris
The module will focus on Paris as a centre of artistic experimentation. The city served as the launch pad for key artistic movements from the mid-19th century through to the period after the Second World War (Impressionism, Cubism, Surrealism, etc.), and as a magnet for budding and established artists from all around the world. The module will take advantage of the great museum collections that encapsulate such developments (Musées d'Arte Moderne and d’Orsay, Rodin and Picasso Museums, Beaubourg, Quai Branly, etc.) and also of the major exhibitions on show in Paris in any given year.Read more
HA898 - History & Philosophy of Art Dissertation
The dissertation module gives students the opportunity to write a dissertation of around 12,000-15,000 words on a topic of their choosing relating to history of art or philosophy of art and aesthetics. The process of developing a topic and writing the dissertation is closely supported through classes during term 3, and individual meetings with the student's dissertation supervisor. Supervision is usually by staff with direct research expertise in the student’s chosen topic.Read more
Teaching and Assessment
Assessment is by coursework only.
This programme aims to:
- provide you with a focused programme of taught postgraduate study in history and philosophy of art
- provide you with a taught foundation for subsequent postgraduate research
- enable you to acquire or deepen your knowledge and understanding of the historical and contemporary topics within the history of art and philosophy of art
- enable you to develop your art historical and philosophical skills beyond that expected of an undergraduate
- enable you to develop, articulate and defend art historical and philosophical ideas as they relate to art
- enable you to engage with historical and contemporary theoretical thought about the arts from art historical and philosophical perspectives.
Knowledge and understanding
You will gain knowledge and understanding of:
- aspects of the historical development of art, movements, styles and genres, especially from the Renaissance to the present day
- the works of a range of significant artists of different periods and cultures
- a range of different visual art forms and techniques, such as painting, sculpture, printmaking, photography, installation and video
- the cultural, social and historical contexts in which artworks are produced, used and understood
- art historical methods and theories used to study art
- substantive areas of current research in art history
- the impact of philosophies of art and aesthetics on the visual arts
- aspects of the history of aesthetics and the philosophy of art in the western tradition
- aspects of contemporary aesthetic theory and issues in the philosophy of art
- various positions taken on key issues in contemporary aesthetics and philosophy of art
- the range of philosophical issues arising in relation to a particular medium of fine art
- primary and secondary philosophical writings on art and aesthetics relevant to contemporary philosophy of art.
You develop the following intellectual skills:
- a high degree of independent thinking, particularly in relation to the ideas, issues and debates within art history and the philosophy of art
- advanced research skills relevant to the preparation of essays, dissertations and seminar assignments.
- an advanced ability to evaluate a range of both primary and secondary sources and conceptual frameworks appropriate to research in the history and philosophy of art
- a highly developed ability to synthesise diverse materials and ideas to further a specific art historical or art philosophical position
- an ability to analyse and interpret texts and arguments in a manner that demonstrates advanced skills of critical evaluation
- an ability to critically reflect at an advanced level upon both one’s own ideas and positions.
You gain subject-specific skills in:
- advanced skills of observation, analysis and interpretation of visual artworks, drawing on your knowledge of visual traditions and conventions
- the use of concepts and methods specific to the history and theory of art
- the capacity to locate and evaluate evidence from relevant visual and textual sources, and interpret it in relation to art historical enquiries
- the ability to construct highly effective arguments to defend or challenge a position held by yourself or others
- the ability to critically engage at an advanced level with some major thinkers and intellectual traditions within art history and the philosophy of art
- advanced skills of constructive debate and defence of ideas
- a high degree of critical reflectiveness upon assumptions and beliefs
- advanced skills of oral presentation and defence of ideas and positions.
You will gain the following transferable skills:
- the ability, at an advanced level, to organise information clearly, respond to written sources, present information orally, use images as a communication tool, present arguments cogently and effectively in written or spoken form
- the ability, at an advanced level, to identify and access relevant materials and synthesise them into a broader piece of work
- the ability to produce written documents, undertake online research, communicate using email and process information using databases
- the ability to listen effectively and so to learn from and participate constructively in discussion
- the ability to organise and manage supervised, self-directed work
- the ability to work in flexible and independently minded ways, showing self-discipline and self-direction
- problem-solving: the ability to identify and define problems, explore alternative solutions and discriminate between them
- focus and attentiveness to detail: the ability to work diligently, to fulfil briefs and deadlines, and to take responsibility for your own work.
- the ability to gather, organise and deploy ideas in order to formulate arguments cogently and express them effectively orally and in written form.
Arts postgraduates have gone on to work in a range of professions, from museum positions and teaching roles to marketing and gallery assistants. Our graduates have found work with Tate Britain, the V&A, Museum of Childhood and other arts, culture and heritage-related organisations.
My previous experience helped me get the job I have now but I absolutely wouldn’t have got it were it not for my MA.Sarah Bolwell History and Philosophy of Art MA
In Paris you are encouraged to make full use of the city’s cultural resources and to integrate that experience into your studies. The Louvre, Centre Pompidou, Musée d’Orsay, Musée d’Arte Moderne, Grand Palais and other world-class museums and exhibition spaces are on your doorstep. You have access to screenings of modern and classic films and to the research facilities at the National Cinémathèque and Museum of Cinema and at the Forum des Images. You also have access to the libraries of University of Paris III (Sorbonne Nouvelle) and University of Paris VII. Other Paris libraries with extensive relevant holdings include the French National Library, the Centre Georges Pompidou Public Library and the American Library in Paris, to which you are given access and a guided visit.
All postgraduate students are offered research skills training and the opportunity to take part in reading groups and research seminars.
In recent years, several members of the History of Art Department, both full-time and part-time, have been awarded University prizes for excellence in student support, curriculum innovation and research-based teaching – an ethos which we seek to extend to the postgraduate community.
Dynamic publishing culture
Staff publish regularly and widely in journals, conference proceedings and books. Among others, they have recently contributed to: British Journal of Aesthetics; Art History; History of Photography; Journal of Aesthetics and Art Criticism; Journal of Visual Arts Practice; and The Philosophical Quarterly.
Global Skills Award
All students registered for a taught Master's programme are eligible to apply for a place on our Global Skills Award Programme. The programme is designed to broaden your understanding of global issues and current affairs as well as to develop personal skills which will enhance your employability.
An upper second-class honours degree or better, usually in a relevant humanities subject. In certain circumstances, the School will consider candidates who have not followed a conventional education path or who may have relevant experience in the industry. These cases are assessed individually by the Director of Graduate Studies.
Your application should include a sample of your academic writing. Ideally this will be an essay, on a similar or related topic, that you have recently written as part of your undergraduate degree programme. Please upload this to your application portal.
All applicants are considered on an individual basis and additional qualifications, and professional qualifications and experience will also be taken into account when considering applications.
Please see our International Student website for entry requirements by country and other relevant information for your country.
English language entry requirements
The University requires all non-native speakers of English to reach a minimum standard of proficiency in written and spoken English before beginning a postgraduate degree. Certain subjects require a higher level.
For detailed information see our English language requirements web pages.
Need help with English?
Please note that if you are required to meet an English language condition, we offer a number of pre-sessional courses in English for Academic Purposes through Kent International Pathways.
The Department has a collective interest in developing interdisciplinary projects, including projects informed by art history and philosophy of art or aesthetics. Shared areas of research interest include: photography, art theory from the Renaissance to recent times and contemporary art.
Aesthetics Research Centre
The Aesthetics Research Centre coordinates, enables and promotes research in philosophy of art and aesthetics at the University of Kent.
Art History and Visual Cultures
This Research Centre promotes and co-ordinates research amongst the growing community of staff and PG students active at Kent in the field of Art History.
Other Research Centres within the School:
Centre for Film and Media Research
The Centre draws together scholars from across the University who use film and the moving image as an integral part of their research. We are open to ideas that extend the reach of the Centre and seek to support projects that promote collaboration between individuals and other research centres. Our aim is to produce a more proactive engagement with other disciplines, to open new lines of communication and to produce innovative knowledge formations through the activity of pioneering research projects.
Based at Kent, the UK’s European university, the European Theatre Research Network (ETRN) facilitates and fosters the exchange of theatre traditions, contemporary practices and academic discussion on theatre work from the European continent and also in the new European states. The MA Theatre Direction forms part of this expanding network, drawing for instance on our connection to the Schaubühne Berlin, the Grotowski Workcentre, and other European theatre institutions. For further information, please see www.europeantheatre.org.uk
Cognition, Kinesthetics and Performance
The Centre for Cognition, Kinesthetics and Performance brings together Drama staff and staff in Engineering and Digital Arts; Psychology; Anthropology; and the Tizard Centre to explore the possibilities of interdisciplinary dialogue and collaboration between researchers and practitioners in the fields of cognitive neuroscience, interactive performance, digital media, disability studies, and applied performance. For further information, please see www.kent.ac.uk/ckp
Popular and Comic Performance
The Popular and Comic Performance (PCP) research centre brings together academics from a range of disciplines (e.g. Drama, Film, Social Anthropology, Philosophy). Their research investigates a real variety of related areas including: stand-up comedy; music hall and variety; 18th century popular theatre; melodrama; Greek Old and Middle comedy; community performance work; puppetry; TV and film production; and punk performance. For further information, please see www.kent.ac.uk/arts/research/centres/popularcomicperformance
Staff research interests
Full details of staff research interests can be found on the School's website.
Dr Jonathan Friday: Senior Lecturer
Aesthetic theory and photographic studies; 18th-century British aesthetic theory; classical and contemporary photographic theory; photographic genre.View Profile
Professor Martin Hammer: Professor
British art in the mid 20th-century (artists such as Naum Gabo, Francis Bacon, Graham Sutherland, Stanley Spencer); modern and contemporary international art; the modern portrait.View Profile
Professor Tom Henry: Professor
Specialist in Italian renaissance art, with a particular interest in Central Italian painters including Raphael, Piero della Francesca, Pietro Perugino and Luca Signorelli.View Profile
Dr Hans Maes: Senior Lecturer
Philosophy of art and aesthetics including the role of intention in the interpretation of art; the relation between (erotic) art and pornography; the role of beauty in art and culture; the nature and value of aesthetic experience.View Profile
Dr Michael Newall: Senior Lecturer; Director, MA Programme
Philosophy of painting; depiction; theories of the sublime; art school education; contemporary art.View Profile
Dr Grant Pooke: Senior Lecturer; Head of Subject and Research
Contemporary British art; Marxist art historiography, the Cold War and aesthetics; developing teaching approaches to art history; art histories, boundaries and aspects of the postcolonial.View Profile
Dr Ben Thomas: Senior Lecturer; Curator, Studio 3 Gallery
Renaissance art; Renaissance art theory; Renaissance and baroque prints; the history of collecting and museums; historiography of art, particularly the work of Edgar Wind and the Cold War.View Profile
The 2019/20 annual tuition fees for this programme are:
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For students continuing on this programme fees will increase year on year by no more than RPI + 3% in each academic year of study except where regulated.* If you are uncertain about your fee status please contact email@example.com
General additional costs
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