Italian Short Story - IT552

Location Term Level Credits (ECTS) Current Convenor 2017-18 2018-19
Canterbury Spring
View Timetable
5 15 (7.5) DR FL Capello

Pre-requisites

IT301 or IT307

Restrictions

None

2017-18

Overview

This module focuses on a number of Italian contemporary short stories. More specifically, this module discusses the literary treatment of love, and the love story, in the short stories of some of the most important Italian writers of the second half of the 20th century and early 21st century. Works by worldwide renowned authors such as Italo Calvino, Natalia Ginzburg, Cesare Pavese, and Leonardo Sciascia, accomplished "postmodernist" writers belonging to a younger generation such as Antonio Tabucchi and Pier Vittorio Tondelli, as well as less celebrated authors such as Gianni Celati and Fabrizia Ramondino, will be taken into consideration. While not underestimating the profound economic, social and political changes that Italy underwent during the last sixty years, particular emphasis will be given to the similar way in which all these writers seem to fictionally conceive of the love relationship as a missed encounter. In spite of the manifold forms of love being described in these texts (between husband and wife; wife and lover; young boy and ideal father; sister and brother; mother and daughter; two young men, etc.), all the short stories chronologically analysed in this module seem to rely on Calvino's provoking suggestion according to which the missed encounter is the "fundamental element" of love relationships.

Details

This module appears in:


Contact hours

This module will be taught by means of a one-hour lecture and a one-hour seminar for ten weeks.
Total Contact Hours: 20.

Method of assessment

100% Coursework.

Preliminary reading

Indicative Reading:

Cesare Pavese, Feria d'agosto (1946)
Natalia Ginzburg, Cinque romanzi brevi e altri racconti (1964)
Italo Calvino, Gli amori difficili (1970)
Leonardo Sciascia, Il mare colore del vino (1973)
Pier Vittorio Tondelli, Altri libertini (1980)
Antonio Tabucchi, Piccoli equivoci senza importanza (1985)
Gianni Celati, Cinema naturale (2001); Fabrizia Ramondino, Arcangelo e altri racconti (2005)

See the library reading list for this module (Canterbury)

See the library reading list for this module (Medway)

Learning outcomes

Students who successfully complete the course will be able to:

Demonstrate knowledge and critical understanding of key works of some of the most important Italian writers of the second half of the 20th century and early 21st century.

Display skills of close critical readings of selected Italian short stories.

Show knowledge of the literary and cultural movements that influenced the authors being studied.

Show critical understanding of the importance of the love story as a privileged sub-genre of the short story.

Relate the set short stories to their particular historical background and the radical social transformations that took place in Italy during the second half of the 20th century, and to apply this knowledge in various scholarly contexts.

University of Kent makes every effort to ensure that module information is accurate for the relevant academic session and to provide educational services as described. However, courses, services and other matters may be subject to change. Please read our full disclaimer.