Film Criticism - FI585

Location Term Level Credits (ECTS) Current Convenor 2019-20
Canterbury Spring
View Timetable
6 30 (15)

Pre-requisites

FILM3130 Film Style
FILM3150 Film Theory or FILM3160 Film Histories

Restrictions

None

2019-20

Overview

This course introduces students to the history and theory of film criticism, emphasising the coexistence of different approaches to the analysis, evaluation and appreciation of film. The module will also have a practical aspect, offering students the opportunity to write critical pieces on the films screened for the class. In addition to traditional lectures and seminars, some sessions will be devoted to writing and to analysing fellow students' work. Participants will also be encouraged to reflect critically on different media of film criticism (newspapers, magazines, academic journals, the internet, television) and on the current state of film criticism.

Details

This module appears in:


Contact hours

Total contact hours: 60
Private study hours: 240
Total study hours: 300

Method of assessment

Dossier of Capsule Reviews (2000 words) (50%)
Dossier of Longer Critical Pieces (4000 words) (50%)

Indicative reading

Mattias Frey and Cecilia Sayad (eds.), Film Criticism in the Digital Age. New Brunswick, NJ: Rutgers University Press, 2015.
Manny Farber, Negative Space: Manny Farber on the Movies. New York: Da Capo Press, 1998.
J. Hoberman, The Dream Life: Movies, Media, and the Mythology of the Sixties. New York: New Press, 2003.
Philip Lopate (ed.), American Movie Critics: An Anthology From the Silents Until Now. New York: Library of America, 2006
Greg Taylor, Artists in the Audience: Cults, Camp, and American Film Criticism. Princeton and Oxford: Princeton University Press, 1999.
Parker Tyler, Magic and Myth of the Movies. New York: Henry Holt and Company, 1947.

See the library reading list for this module (Canterbury)

Learning outcomes

On successfully completing the module students will be able to:
- Demonstrate knowledge of the history of Anglophone film criticism in the context of both other forms of criticism as well as other language criticisms and have the ability to coherently articulate their understanding of the relationships between these developments;
- Understand the different modes of analysis made possible by key methods of enquiry and be able to demonstrate their relevance to understanding the impact of film criticism on both moving image making and the ways in which an audience engages with moving images;
- Devise a discussion of film criticism through a sustained engagement with key methods of enquiry based on a synthesis of historical, theoretical, and aesthetic approaches;
- Understand the interplay between film criticism and film culture through their research into relevant scholarly literature.

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