Events Calendar
Jun 6 - Jun 7
09:30 - 16:30
Drama MA Symposium
Drama MA students

Thursday 6th June

09.30-10.00: Patrick Kipling, Jarman 2

10.00-10.30: J.S.K. Guillot, Jarman 1

Presenting the Female Experience on Stage; Performing Autobiographical Monologues vs Character-based Monologues. 

10.30-11.00: K.S.B. Deadman-Spall, Jarman 2

Please Mind the Gap: An account of how 21st Century British Commercial theatres are misusing almost 100 hours every year. 11.00-11.30: Yuki Koide, Jarman 1

A Dance with the Notes.

11.30-12.00: A.E. Erskine, Jarman 2

From Expelliarmus to Ex Machina: The theatre's assimilation and reflection of cultural and societal struggles through stage magic and illusion. 12.00-12.30: Lunch break

12.30-13.00: A. Hardy, Jarman 1

Alternate Reality Games: The renegotiation of the real and the virtual.

13.00-13.30: Matthew Hessey, Jarman 2

A Critical Analysis of a Playwright's Creative Process and Study of True Representation with Reference to the creation of "To Be Decided", an Original Theatrical Script.

13.30-14.00: M. Karakaya, Jarman 1

'Autobiography and Identity in performance' 

14.00-14.30: Machin-McGarry, Jarman 2

14.30-15.00: Elliot Willmington-Holmes, Jarman 1

Liveness: Can the live digital virtualisation of the actor create a more affective and powerful performance than the actor's physical presence for modern audiences? 

15.00-15.30: Madison, Jarman 2

Disabled Bodies: From Spectacle to Invisible (an exploration of 19th century freak shows to 21st century disability theatre) 

15.30-16.00: Wang, Jarman 1

An insight into intimate theatre: the unconscious agreement between the performer and the audience

16.00-16.30: Shelby Shelman, Jarman 2

The Show Must Go On: the experience economy's effect on intervals in twenty-first century contemporary theatre 

16.30-17.00: Karen Takamiya, Jarman 2

Research for the appropriate use of Japanese Pop music in the U.K. 

Friday 7th June 

09.30-10.00: E.Savva, Jarman 2

"How can a specific type of a a warm up, lead to performing a certain style with an aesthetic for a performance? Is it possible to get a glimpse of the performance through watching the warm up prior to the show?"

10.00-10.30: E. Halliday, Jarman 1

The effect of watching the intimacy of others - A study of audience reaction, perception and emotion towards live theatre and film.

10.30-11.00: H.R. Hutchinson, Jarman 2

11.00-11.30: Quilin Zhang, Jarman 1

How can I use "Feng Shui" principles in the composition of my performance about "Feng Shui"?

11.30-12.10: Isaac Reid

"Philosophy and Popular Performance, an argument for the meta modern in adaptation"

12.10-13.00: Lunch break

13.00-13-30: Kate Johnson, Jarman 2

The Curious Case of F. Scott Fitzgerald: A case study of 'The Curious Case of Benjamin Button' 2019 adaptation. 13.30-14.00: X. Kong, Jarman 1

"Traditional director-centered rehearsal method and devising method, which give me more creating freedom"

14.00-14.30: Mariela Oakes, Jarman 2

Performing Shakespeare beyond the gender binary: An analysis of rehearsal approaches

14.30-15.00: Alice Bezant, Jarman 1

Take it, feel it, and pass it on: education, outreach and audiences in the performing arts

15.00-15.30: Lucy Steward Jarman 2

15.30-16.00: Alexia Ziegers Jarman 2

16.00-16.30: Parke Jarman 2

16.00-16.30: Cristina Roberts Jarman 2


Studio 1 and 2,
Jarman Building,
University of Kent,
United Kingdom


Open to all,

Contact: School of Arts
T: 01227 827228
School of Arts


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Last Updated: 10/01/2012