Post-1989 German Cinema - GE328

Location Term Level Credits (ECTS) Current Convenor 2017-18 2018-19
Canterbury Autumn
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4 15 (7.5)
Canterbury Spring
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4 15 (7.5) DR HMA Kunzelmann

Pre-requisites

None

Restrictions

This module is available as a wild module

2017-18

Overview

The fall of the Iron Curtain in 1989 led to fundamental cultural and political re-alignments in German-speaking countries, unleashing a wave of cultural comment and creative activity. The 1990s and early twenty-first century saw a revitalisation of the film scene in both Germany and Austria, evident not only in highly acclaimed niche productions but also in a series of international box-office hits. This module will explore the themes and styles of 'post-Wende' German-language cinema, focusing on representations of the past and the phenomenon of 'Ostalgie'; multiculturalism and migration; the transformation of Berlin post-1989; and the documentary turn in German and Austrian film since 2000.

The films selected for study can also be made available with English subtitles.

Details

This module appears in:


Contact hours

One weekly two-hour seminar for ten weeks

Method of assessment

100% Coursework

Preliminary reading

Indicative Films:

Das Versprechen / The Promise (D: Margarethe von Trotta, 1995)
Lola rennt / Run Lola Run (D: Tom Tykwer, 1998)
Good Bye, Lenin! (D: Wolfgang Becker, 2003)
Die fetten Jahre sind vorbei / The Edukators (D: Hans Weingartner, 2004)
Sophie Scholl: Die letzten Tage / The Last Days (D: Marc Rothemund, 2005)
Das Leben der Anderen (D: Florian Henckel von Donnersmarck, 2006)
Auf der anderen Seite (D: Fatih Akin, 2007)
Die Fälscher / The Counterfeiters (A: Stefan Ruzowitzky, 2007)

See the library reading list for this module (Canterbury)

See the library reading list for this module (Medway)

Learning outcomes

Students who successfully complete this module will have knowledge of:

1) a representative selection of contemporary films that give nuanced and critical perspectives on German-language culture and history
2) the basics of film theory and cinema history as relevant to German-language culture
3) spoken German in a variety of registers and accents

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