BA, MA, PhD
Jennie Batchelor works and publishes in the long eighteenth century, focusing primarily on women's writing, authorship and anonymity, periodicals and women’s magazines, representations of gender, work, sexuality and the body, book history, material culture studies and the eighteenth-century charity movement. She is the author of two monographs and co-editor of four essay collections. Her most recent book (with Nush Powell), Women’s Periodicals and Print Culture in Britain, 1690s-1820s (Edinburgh University Press, 2018), is the first major study of women’s active engagement with periodical and magazine culture in the long eighteenth century. Jennie regularly gives public lectures and writes articles and guest blogs on these subjects and other subjects. In April 2016 Jennie guest presented a few episodes of the New Statesman’s Hidden Histories podcast series, ‘The Great Forgetting: Women Writers before Jane Austen’, and in 2017 she was invited to speak at the Cheltenham Literary Festival about the enduring popularity of Jane Austen.
From 2014-16, Jennie was Principal Investigator for a Leverhulme project entitled 'The Lady's Magazine (1770-1818): Understanding the Emergence of a Genre' and was subsequently awarded a Leverhulme Research Fellowship to work on a forthcoming book about the Lady’s Magazine in Romantic print culture. She has also co-authored a popular blog about the magazine, its content, history and numerous, largely unknown, authors.
Jennie’s longstanding interest in the history of fashion and material culture and to public engagement in research led to her curation of ‘The Great Lady’s Magazine Stitch Off’, a project for which people around the world recreated 11 rare, surviving embroidery patterns from the Lady’s Magazine for display at an exhibition to commemorate the 200th anniversary of the publication of Jane Austen’s Emma at Chawton House Library. Jennie is also Patron of the Kent branch of the Jane Austen Society.
Jennie would be delighted to supervise PhD work on any of the above topics. She is currently or has previously supervised PhD dissertations on: the Canterbury book trade in the eighteenth and nineteenth centuries; sexual violence and consent in eighteenth-century literature; incest and the gothic novel; the politics of amatory fiction; eighteenth-century cosmetics; Jane Austen; eighteenth-century poetry; women’s education and feminism in the Romantic and Victorian periods; Romantic theories of self; and digital approaches to the Romantic period.