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Undergraduate Courses 2017

Italian and Film - BA (Hons)

Canterbury

Overview

Italian and Film enables you to learn the language and culture of Italy, alongside the study of films from all genres, including Italian-language films. Italy has produced some of the world’s greatest film-makers, including Sergio Leone, Pier Paolo Pasolini and Bernardo Bertolucci.

Italy is a cornerstone in culture, art and history across Europe, you cannot help but be inspired to learn the language. By learning Italian, you give yourself a tool to explore this cultural richness and to open your eyes to its Roman heritage, the Renaissance, modern architecture, fashion and cinema. It is spoken not only in its home country, but also by over 15 million people in Switzerland, North America and Australia.

Kent is an ideal location to study Italian. The majority of the Italian teaching staff are native speakers and we regularly host Italian exchange students, giving you the opportunity to immerse yourself in the language. This is supplemented by excellent technical facilities, including audio, video and computer-assisted language learning.

Kent is one of the three major universities in the UK for Film Studies, and one of the most highly regarded departments in Europe. Film at Kent engages with cinema's rich scope and history, from silent classics and mainstream Hollywood to world cinema and the avant-garde. We have a thriving film culture, with 10-20 films screened on our courses each week, the Gulbenkian Cinema (the University’s arts cinema) based on campus and a lively student film society.

In 2014, the University opened a dedicated 62-seat cinema named after the pioneering female film director Ida Lupino, which students can enjoy as part of their experience during their studies. The Lupino has state-of-the-art digital projection and sound, and has been created to provide an intimate atmosphere for film viewing.

During your Year Abroad, you have the opportunity to study or work in Italy. This is a fantastic way to improve your language skills and gain an in-depth understanding of Italian culture.

Italian and Film is therefore an ideal combination for those wanting to gain linguistics skills and develop cultural insights that transcend national boundaries.

Independent rankings

Italian at Kent was ranked 10th for teaching quality in The Times Good University Guide 2016 and 1st for research quality in The Complete University Guide 2017.

Media and Film Studies at Kent was ranked 3rd in The Guardian University Guide 2017. In the National Student Survey 2016, Cinematics and Photography at Kent was ranked 11th for the quality of teaching.

For graduate prospects, Media and Film Studies at Kent was ranked 5th in The Guardian University Guide 2017.

Course structure

The following modules are indicative of those offered on this programme. This listing is based on the current curriculum and may change year to year in response to new curriculum developments and innovation.  Most programmes will require you to study a combination of compulsory and optional modules. You may also have the option to take ‘wild’ modules from other programmes offered by the University in order that you may customise your programme and explore other subject areas of interest to you or that may further enhance your employability.

Stage 1

Possible modules may include:

FI313 - Film Style (30 credits)

The course introduces students to the language of film, from aspects of mise-en-scène (setting, performance, costumes, props, lighting, frame composition) to framing (camera movement, shot scale, lenses), sound (fidelity, volume, timbre) and editing (from requirements for spatial orientation through matches on action, eyeline matches and shot-reverse-shot structures to temporal manipulations through ellipsis and montage). The study of these elements enables students to understand the spatial and temporal construction of films, as well as the stylistic, expressive and/or dramatic functions of specific strategies.

Credits: 30 credits (15 ECTS credits).

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IT312 - An Introduction to Italian Cinema: Neorealism and Its Legacy (15 credits)

This course will introduce the students to the work of some of the major Italian filmmakers who contributed to Neorealism's aesthetics and contents (Rossellini, De Sica, De Santis, Fellini) and those who have been inspired by them from the Fifties to the present. Through the study of the history of Italian cinema, students will become familiar with some of the most relevant issues of the history of Italian culture and society.



The course will focus particularly on some periods of the history of both Italian cinema and Italian society:

- The 1940s: Neorealism as a rejection of the fascist film industry ('Telefoni bianchi/White Telephones' and 'Calligrafi/Calligraphers') and as a way of representing Italian society in the years between the fall of fascism and the birth of the Italian Republic.

- The legacy of Neorealism in the Fifties: Fellini - the decline of Neorealism into the so-called Pink Neorealism during the years of 'Ricostruzione’ (Reconstruction) and the Cold War

- The legacy of Neorealism and its influence on Hollywood mainstream industry (with special focus on gangster films)

- The legacy of Neorealism on contemporary Italian cinema (e.g. Moretti, Sorrentino, Garrone).

Credits: 15 credits (7.5 ECTS credits).

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IT315 - An Introduction to Italian Modernity (15 credits)

This module aims to introduce students to Italian Literature and Culture through the centuries (from the Unification to the late XX century). Its principal objective will be to set representative works of a number of key Italian writers and intellectuals, such as: D'Annunzio, Montale, Ungaretti, Pasolini, Levi, and the Futurists, in their socio-historical and cultural background.

Credits: 15 credits (7.5 ECTS credits).

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IT301 - Learning Italian - Beginners (30 credits)

• This is an intensive module in Italian for students who have no or very little knowledge of the language.

• This course will be of particular interest to anyone wishing to widen their knowledge of Romance languages and to those intending to spend time in Italy.

• Key basic grammatical structures will be taught through the means of purpose-designed Italian language course books.

• The students will use the exercise book to carry out grammar exercises at home, which will then be corrected in class.

• The students will practice their aural skills by listening to audiotapes and videos both in and outside the class.

• Each chapter of the coursework book is theme based (travelling, shopping, family, etc.).

• The students will learn how to write and speak in Italian by acquiring new vocabulary, key grammatical points and by carrying out role-plays / presentations. All these aspects relate to the themes in the coursework book.

• A range of materials will be provided to the student and will for the basis for discussions, translations and applied exercises.

• Some cultural background of Italy will be provided (e.g. geography, art, music, culinary etc.)

• The students will also be expected to carry out simple translations from Italian to English / English to Italian. The texts provided will be extracted from the web or the coursework book itself. These translations will also relate to the themes covered in each chapter of the coursework book.

• By the end of the course the student will have covered key grammatical areas including: the present tense, the future, the gerund, and basic pronouns.

Credits: 30 credits (15 ECTS credits).

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IT308 - Learning Italian 3 (Post A Level) (30 credits)

The module is intended for students with an ‘A’ Level Italian (although Intermediate/GCSE/AS Level will be considered), and is aimed at consolidating students’ knowledge of written and spoken Italian, at strengthening their grammatical awareness of Italian and at practicing translation skills both from and into Italian. Students will develop skills to plan work, study independently and use relevant sources, as well as acquire a sophisticated knowledge of Italian through weekly exercises of translation, grammar and conversation. The module comprises three elements: one hour per week devoted to advanced Italian grammar, one devoted to translation from English into Italian and guided comprehension, and one hour of conversation practice with a native speaker Italian.



This module is subject to change, pending faculty approval.

Credits: 30 credits (15 ECTS credits).

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FI315 - Film Theory (30 credits)

This module approaches the "big questions" that have surrounded film and the moving image and puts them into historical context. Although specific topics will vary, representative topics may address competing definitions of film and its constitutive elements, the effects that cinema has on spectators, the social, cultural and political implications that moving images reproduce, and the status of the medium between art and entertainment. Students will debate seminal writings on the nature of film and bring their arguments to bear on exemplary film productions.

Credits: 30 credits (15 ECTS credits).

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FI316 - Film Histories (30 credits)

This course examines film history and historiography through a series of case studies. In carrying out this investigation students will be invited to work with secondary and primary sources held in the library and will be encouraged to evaluate the aesthetic, technological, economic, social and political histories presented in this module. Students will understand the role and value of the contextual study of film and will be given the opportunity to research and write on selected aspects of film historiography. The choice of case studies will depend upon the expertise of the module convenor and is not restricted to a particular national cinema or period; case studies may include, for instance, the history of film by means of the study of a particular theme and cultural context in the history of film.

Credits: 30 credits (15 ECTS credits).

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Stage 2

Possible modules may include:

FI583 - Cinema and National Identity (30 credits)

This course examines the mechanisms and conditions that facilitate and enhance transnational cultural flows. We will study how filmmakers actively franchise, adopt and rework film styles and genres. A genre or style initiated in one country can be quickly adopted in another, with filmmakers tailoring the genre or style to the tastes of local audiences. We will both analyse some of the generic conventions that these films foreground and/or transform and isolate some of the national subtleties that are only discernable to local audiences. As the number of co-productions continues to rise, critics and viewers feel perplexed, and sometimes even amused, in their attempts to discern and identify the nationality of a film. We will critically assess whether any limitations exist embedded in such a co-production strategy, which blurs and obscures the specificities of each nation-state involved. Finally, we will explore whether the changing mediascape – one of transnational, multi-media corporate conglomerate involvement in film production.

Credits: 30 credits (15 ECTS credits).

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FI537 - Postwar European Cinema (30 credits)

This course investigates some major production and aesthetic trends of postwar European cinema. Students are introduced to a selection of European films as well as to the writings of key Continental filmmakers, theorists and critics.



Topics may include: the subjective realisms of the French New Wave and New German Cinema; cycles and trends in European genres, such as the horror film and the western; the aesthetic claims of Italian Neo-Realism and Dogme '95.



These movements will be examined for their claims to interpret the real world, their relationship to films in other national contexts, and also interrogated for the economic and artistic motivations behind their existence as critical categories.

Credits: 30 credits (15 ECTS credits).

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FI594 - Film Authorship (30 credits)

This module will offer students the rare opportunity to examine in detail the work of a single director or a group of directors. It will thus enable students to acquire a more complex understanding of the issues at stake in the production, distribution, and reception of a specific body of film work. The module will also develop students' knowledge and understanding of the questions, theories and controversies, which have informed critical issues and theoretical debates on film authorship. It will thus appeal to students who wish to extend their skills in analysing film form, meaning, and practice in both a conceptual and a historical context. Furthermore, as the module will enable detailed consideration of what 'film directing’ is, as an artistic and cultural practice, in given contexts, it will be a very useful course to combine with the practical study of filmmaking.

Credits: 30 credits (15 ECTS credits).

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FI602 - Documentary Cinema (30 credits)

This module addresses a series of documentary films in their historical context and in relation to the different modes of non-fiction filmmaking. Documentary narrative techniques including the use of archival footage, staged reconstructions of past events, and talking-head interviews, are investigated by means of close textual analysis and through a comparative approach to diverse documentary films. This module also explores the boundaries between fiction and non-fiction and, while articulating a definition of documentary film, it studies film forms that present an interplay between the two, such as Mockumentaries and Essay Films.

Credits: 30 credits (15 ECTS credits).

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FI603 - Sound and Cinema (30 credits)

Cinema has typically been conceived of as an essentially visual phenomenon – films, it is often said, are essentially moving pictures. Sound has, nevertheless, played an important role from the beginnings of cinema, a fact which has been acknowledged in the detailed historical, theoretical and critical work on film music, and film sound more generally, produced over the last decade. Sound and Cinema will provide an overview of this new field of research, and aim to provide students with a clearer understanding of and greater sensitivity to the soundtrack. The course will begin by setting up an introductory framework for the understanding of sound, which considers the relationship between music and other aspects of film sound (dialogue, voice-over, effects), as well as the nature of the relationship between image and sound. Subsequent sessions will consider the evolution of sound technology and its impact on the aural aesthetics of film; the use of classical and popular music in film scores; the emergence of sound designers, such as Walter Murch and Alan Splet, in contemporary cinema; and the distinctive and innovative use of sound and music by such diverse directors as Wim Wenders, Jean-Luc Godard, David Lynch, and William Raban.

Credits: 30 credits (15 ECTS credits).

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FI606 - Avant-Garde and Experimental Cinema (30 credits)

This module examines types of cinematic practice whose principal labels have been 'experimental', ‘avant-garde’, ‘underground’ and ‘independent’ – terms which overlap but which are by no means synonymous. It is concerned with traditions of cinema which have, more or less self-consciously, formulated radically different aesthetics from those of the orthodox feature film, in which narrative is either radically reshaped, or displaced altogether by other concerns. Throughout, the course will juxtapose films deriving from the historical avant-garde movements (like the European avant-garde of the 20s, or the post-war American scene) along with contemporary exponents of related forms of filmmaking. The first part of the course provides a conceptual and historical overview of avant-garde filmmaking in the C20th; subsequent weeks focus on specific topics, for example collage, landscape, experimental narrative, and the interaction between film, video and the new media.

Credits: 30 credits (15 ECTS credits).

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FI607 - Storytelling and the Cinema (30 credits)

This module examines different forms of narrative and story-telling in cinema, drawing upon theories of myth, folk and fairytale as well as upon anthropological studies of oral storytelling in order to place film narration within the tradition of the 'popular' arts. The psychological and aesthetic role of narrative will be explored through the accounts offered by philosophy and psychoanalysis in order to understand the relations and tensions between narrative realism based on Aristotelian notions of cause and effect as well as character verisimilitude, and popular and avant-garde modes which transgress such notions. The role played by, for example, film genres and the star system in disrupting or supporting narrative cause and effect will be considered. The function of the script and of script-writing will be looked at in relation to the deployment of the cinematic elements of sound and image, spectacle and event in film. The course will be taught through a series of case-studies using a wide range of films within American and world cinema.

Credits: 30 credits (15 ECTS credits).

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FI618 - Screenwriting: An Introduction (30 credits)

This module offers students an introduction to the terms, ideas and craft, involved in the creation of screenplays. Screenwriting is a unique form of writing with very different concerns from the novel, theatre and radio. Although the screenplay is a vital component of a film's success, it tends to be neglected as a separate art form.



In this module we explore the conventions of dramatic structure, new narrative forms and short film variations. Students are encouraged to think critically about screenplay writing and will have an opportunity to write their own screenplay. A selection of writing exercises have been designed to take them through the writing process; from preparation and initial concept to final draft.



The emphasis here will be on practical knowledge and support as student’s uncover their creative voice. This module does not aim to provide vocational training for students wishing to pursue careers in the feature film or television industries.

Credits: 30 credits (15 ECTS credits).

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IT508 - Learning Italian 2 (Intermediate) (30 credits)

This module has been planned as the natural follow-on for those who have recently, successfully taken a beginners Italian course such as IT301, and who should have covered the basics of grammar, acquired a stock of high frequency vocabulary and reached a degree of proficiency beyond GCSE and approaching A-level. (A2-B1 in terms of the Common European Framework of Reference {CEFR}).



At the same time the course is designed to prepare students for their third year studies and exams in Italy. IT508, like IT301, is an intensive course which requires serious commitment.

Credits: 30 credits (15 ECTS credits).

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IT563 - Learning Italian 4 (Advanced) (30 credits)

IT563 is an intermediate level module. Its aims are to strengthen and widen the linguistic knowledge in the Stage 1 IT308 module, to consolidate students’ vocabulary and improve their knowledge of written and spoken Italian through immersion in a variety of texts, and to practise translation skills both from and into Italian. IT563, like IT308, is an intensive course which requires serious commitment.

Credits: 30 credits (15 ECTS credits).

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IT576 - The Make-Up: Representations of Gender in Contemporary Italy (15 credits)

This module introduces students to key concepts in the analysis of social, cultural and artistic representation of gender within the context of contemporary Italy (from Fascism to the present). It does so by considering a selection of relevant works from a variety of media, such as, for instance, neorealist and fantastic literature of the post-war years; feminist writings of the 1970s (e.g. Dacia Maraini's novel Donna in Guerra, 1975); contemporary cinema (e.g. Ferzan Ozpetek’s Le fate ignoranti, 2001; Donatella Maiorca’s Viola di mare, 2009). The module takes as its focus the gendered basis of social and political control as evident in constructions of subjectivity and sexuality exercised – for instance – through the media, while also analysing works that present themselves as a reaction to such control.

Credits: 15 credits (7.5 ECTS credits).

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IT542 - Italian Extended Essay (15 credits)

This will depend on the subject matter and the advice of the supervisor. The subject will be broadly within the field of Italian Studies.

Credits: 15 credits (7.5 ECTS credits).

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IT552 - Italian Short Story (15 credits)

This module focuses on a number of Italian contemporary short stories. More specifically, it discusses the literary treatment of love, and the love story, in the short stories of some of the most important Italian writers of the second half of the 20th century and early 21st century. Works by worldwide renowned authors such as Italo Calvino, Natalia Ginzburg, Cesare Pavese and Leonardo Sciascia, accomplished "postmodernist" writers belonging to a younger generation such as Antonio Tabucchi and Pier Vittorio Tondelli, as well as less celebrated authors such as Gianni Celati, Erri De Luca and Fabrizia Ramondino will be taken into consideration. While not underestimating the profound economic, social and political changes that Italy underwent during the last sixty years, particular emphasis will be given to the similar way in which all these writers seem to fictionally conceive of the love relationship as a missed encounter. In spite of the manifold forms of love being described in these texts (between husband and wife; wife and lover; young boy and ideal father; sister and brother; mother and daughter; two young men, etc.), all the short stories chronologically analysed in this module seem to rely on Calvino's provoking suggestion according to which the missed encounter is the "fundamental element" of love relationships.

Credits: 15 credits (7.5 ECTS credits).

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IT556 - Catching the Tide: Cultural Renewal in 20th Century Italy (15 credits)

Despite her incomparable heritage, Italy experienced for many centuries a sense of cultural provincialism, with the world's intellectual curiosity switching to Paris, London, New York and other centres of innovation. This module focuses on the clear connections between rapid socio-economic and socio-political change and the thrust for cultural modernity that made 20th century Italy once more a key contributor to the literary and visual arts in Europe and beyond. A wide variety of Italian "texts" of the first seventy years of the 20th century will be taken into consideration, including novels, plays, short stories and films.

Credits: 15 credits (7.5 ECTS credits).

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You have the opportunity to select wild modules in this stage


Year abroad

The University of Kent has Erasmus agreements with several universities in Italy. See Study Abroad A - Z courses and countries.

Possible modules may include:

LA514 - Year Abroad Module (120 credits)

Students either study at a relevant foreign university or work (either as teaching assistants or in some other approved capacity).

Credits: 120 credits (60 ECTS credits).

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Stage 3

Possible modules may include:

IT506 - Learning Italian 5 (30 credits)

This module is designed primarily for final year students of Italian who have studied or worked in Italy. Familiarity with the language, as spoken and written at professional level –for example in journalism or literature - is expected, together with a well-stocked vocabulary, a reasonable command of idiom in common use and a sense of linguistic appropriateness to context.



Students engage in the following activities throughout the year:

• translation from Italian into English, using a range of registers and topics

• translation from English into Italian, using journalistic and literary texts

• study grammatical and lexical subtleties of the Italian language

• group discussion on specific topics

Credits: 30 credits (15 ECTS credits).

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FI622 - Television Series: Narration, Engagement and Evaluation (30 credits)

The module explores storytelling in fictional television series, and how the long duration of these series changes the spectator's engagement, as compared to engagement in the relatively short fiction film. Furthermore, this module focuses on case studies in order to investigate their narrative, stylistic and thematic characteristics, their specific genre conventions and their background in television history. Case studies may include The Sopranos, The Wire, Breaking Bad and Madmen in an inquiry into the narrative as well as moral complexity of this recent, so-called quality trend of American drama television series, and the emerging genre convention of the antihero. The module also addresses how various types of television series have been valued in critical reception through the history of television. For example, in relation to the case studies mentioned above, the module may examine critically the implications of the oft-used label 'Quality TV’ and the HBO slogan ‘It’s not TV, it’s HBO’. In addition to introducing the students to current developments in television studies, this module takes a film theoretical, narratological approach to current television series, and trains students in various approaches to the study of television series in and beyond television studies proper.

Credits: 30 credits (15 ECTS credits).

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FI624 - Beyond Cinema (30 credits)

From the intimate viewing experience offered by mobile phones to the social interaction required by sing-a-long screenings, this module considers the changing nature of where, when and how audiences engage with film and the moving image. It considers the history of cinema-going, paying attention to the old and new sites of exhibition, especially those facilitated by new technologies. Connectedly, the module analyses the different modes of spectatorship, including audience participation and the desire to prolong or enhance the cinematic experience via extra-filmic activities, such as film-tourism. It also considers film's interaction with other arts and media—for example, its use within theatrical performances and its relationship with television. In doing so, this module reflects upon and reconsiders the definitions and limits of cinema and addresses the implications this has for the academic discipline 'Film Studies'.



As part of this course, students will have the opportunity to attend special screenings, participate in field trips and/or watch films unsupervised.

Credits: 30 credits (15 ECTS credits).

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FI569 - Digital Domains (30 credits)

The module primarily focuses on contemporary digital filmmaking practices and film viewing. The first section of the module introduces trick cinema, special effects, the digital intermediate, and a range of computer generated images to explore the different opportunities these offer for manipulating space, constructing narratives and aesthetic innovation. The second section of the module more explicitly engages with a range of theoretical frameworks in order to think about how digital technologies alter our understanding of film, its relationships with other media, and the ways in which we participate in film culture.

Credits: 30 credits (15 ECTS credits).

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FI573 - Animated Worlds (30 credits)

Animation is a term covering a diverse range of forms, and this module introduces cel-

animation, stop-motion puppetry, abstract animation, as well as computer-generated cartoons and features (including animated documentaries) to explore the animated form. The first section of the module introduces different styles through a study of Disney and Warner Bros cartoons, the stop-motion animations of the Quay Bros, TV Anime, abstract music animation and web-based animation. The second section of the module uses a range of critical approaches to explore contemporary feature length animations from different national contexts.

Credits: 30 credits (15 ECTS credits).

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FI582 - New York and the Movies (30 credits)

This module examines the way New York has been used as a site for filmmaking, looking at the history of the production of films in and about the city, and as a vital centre of film culture -- not just of filmmaking, but also exhibition and film criticism. The module considers questions of modernity, the avant-garde practice in New York during the 1950s and 60s, and the city's representation in mainstream Hollywood productions. The work on New York and film will be contextualised within a cultural history of the city, with a dual emphasis on narratives of immigration and the city as the post-war centre of the world art market.

Credits: 30 credits (15 ECTS credits).

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ART500 - Independent Project (30 credits)

Students who wish to take the module must approach a permanent academic member of staff with a proposal, typically in advance of module registration, during the Spring term of the previous year. Students pick a research topic of their choice; however, students are only allowed to register for the module with the permission of a staff member who has agreed to supervise the project, and who has the expertise to do so. Potential supervisors must also ensure before they agree to supervise a project that the resources required to complete the project will be available to the student, and that adequate supervisory support will be available to the student throughout their study on the module.



Students will be supported in the preparation and submission of their work by their supervisor, although a central expectation of the module is that students will take increasing responsibility for their learning, consistent with expectations of H-level study.



On application, students may take this 30 Credit Year Long module. Admission is subject to approval of a project proposal. Proposals must be submitted to the Module Convenor, Prof. Nicola Shaughnessy (N.Shaughnessy@kent.ac.uk) by 10/04/2016. Within your proposal you must state a preferred supervisor. The proposal form can be downloaded from the School of Arts website, see http://www.kent.ac.uk/arts/current-students/undergraduates.html and click on module availability. Alternatively you can request a copy at Jarman Reception. The Module Convenor will contact you in the summer term to confirm whether your proposal has been accepted. Students wanting to change into ART500 at a later stage may do so but should contact the Module Convenor and submit a proposal at the earliest opportunity. Proposals will not be accepted after 19 June 2016. For more information please speak to the Module Convenor at the School Fair.

Credits: 30 credits (15 ECTS credits).

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ART501 - Arts Internship (30 credits)

The student(s) engage in a work-based situation of their choice [the student will be responsible finding the work-based situation though support from the School and CES will be available] which bears relevance to their subject of study or a career they expect to pursue upon graduation. The total of 300 hours will be divided as required for purposes of preparation, attendance of work placement and reflection/completion of required assessment.

Issues covered by the course include:

• Work based systems: Nature of organisation; organisational structure; type of work, work practices and procedures, induction, health & safety, training, quality assurance; communication channels and systems

• Performance of professional activity: identification of professional activities, selecting formulating schedule and action plan, perform activities, health & safety, training requirements, support and supervision.

• Potential Improvements: new technology and new/changed work practices or system. Suggestions and evaluation of effects

• Portfolio: methods of gathering, analysing and recording evidence, types of evidence, witness statements, diaries, internal and external correspondence, observed performance; referencing systems; presentation written and verbal

• Self-Presentation: methods of ensuring an effective presentation of personal research, relevant professional skills, communication skills, confidence etc.

Credits: 30 credits (15 ECTS credits).

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FI584 - The Gothic in Film (30 credits)

This module will investigate "the Gothic" as a significant and recurring cycle within Hollywood film with recognisable tropes and themes, and a dominant tone and style. Beginning with the 1940s cycle of “Women's Gothic” which emerged at the same time as Film Noir, and visually and thematically overlapped with it, the module will explore the particularly filmic ways that such texts manage to evoke the menacing atmosphere and the tone of sexualised danger and suspense achieved by the Gothic’s source novels and short stories. Continuing from the original cycle of films, the module will examine later Hollywood films that have employed the themes and imagery of the Gothic to tap into similar complex anxieties and desires, before inspecting films from other cinemas (for example, those of Europe or Asia) which also make use of the dominant Gothic tropes.

Credits: 30 credits (15 ECTS credits).

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FI585 - Film Criticism (30 credits)

This course introduces students to the history and theory of film criticism, emphasising the coexistence of different approaches to the analysis, evaluation and appreciation of film. The module will also have a practical aspect, offering students the opportunity to write critical pieces on the films screened for the class. In addition to traditional lectures and seminars, some sessions will be devoted to writing and to analysing fellow students' work. Participants will also be encouraged to reflect critically on different media of film criticism (newspapers, magazines, academic journals, the internet, television) and on the current state of film criticism.

Credits: 30 credits (15 ECTS credits).

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SCL502 - Languages in the Classroom (30 credits)

The student will spend one half-day per week for ten weeks in a school. Students will work in a school, with a nominated teacher, for ten half days during the Spring Term and will have the opportunity to promote their subject in a variety of ways. The Course Convenor will place students in appropriate schools, either primary or secondary. They will observe sessions taught by their designated teacher and possibly other teachers. They will act to some extent in the role of a teaching assistant, by helping individual pupils who are having difficulties or by working with small groups. They may take 'hotspots': brief sessions with the whole class where they explain a language topic or talk about aspects of University life. They must keep a weekly journal reflecting on their activities at their designated school. The university sessions and weekly school work will complement each other. Therefore, attendance to university sessions is crucial as it will also give the students the opportunity to discuss aspects related to their weekly placement and receive guidance.



Some travel may be required by students taking this module. In this instance, it should be noted that the University is unable to cover the cost of any such journey.

Credits: 30 credits (15 ECTS credits).

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IT577 - Italian Regional Cinema (15 credits)

This course complicates the notion that there is a unifying concept of an Italian national cinema.

Specifically, it will examine particular instances of filmic production operating outside of the national and cinematic capital of Rome, examining both the factors determining and constraining the emergence of such filmmaking practices, and the ways in which the films they produce may differ from those produced in the capital and associated with an Italian national cinema.

To achieve this, the module will focus on a number of case studies, such as:

• The cinema of Naples, analysed in relation to the question of Neapolitan identity and cultural difference.

• The cinema of Turin, as a product of deliberate regional funding and cultural heritage strategies.

• The cinema of Sicily, seen in relation to the problematising of cultural stereotypes.

• How certain 'national' film productions have dealt with the problematic notion of Italian national/regional identity.

Credits: 15 credits (7.5 ECTS credits).

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IT572 - Modern Italian Poetry: Nature, Eroticism and Poetics (15 credits)

The course examines the work of four key Italian authors that in different ways prefigured or defined the 'modern shift' of Italian poetry: Giacomo Leopardi, Giovanni Pascoli, Gabriele D’Annunzio, and Eugenio Montale. In reading each of these authors, the module focuses on the following main issues: the relationship between subjectivity and otherness; the representation of nature, landscape, and space; different forms of eroticism; the notion of poetry itself and, finally the ways in which all these elements are interconnected not only within the analysed texts but also within the broader tapestry of the modern Italian poetic discourse. Texts to be studied include: Leopardi’s Canti; Pascoli’s Myricae and Canti di Castelvecchio; D’Annunzio’s Alcyone, Intermezzo di Rime and Poema Paradisiaco; Montale’s Ossi di Seppia

Credits: 15 credits (7.5 ECTS credits).

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IT503 - Italian Dissertation (30 credits)

This module may only be taken provided that other Italian non-language units are being followed throughout the final year. The subject of the Essay will be agreed between the student and a supervisor appointed by the Section; it will normally arise from work done either in other Stage 2 and 3 modules or during the year abroad, but other topics are not necessarily excluded. It will be based on the student’s own research under the guidance of a supervisor.

Credits: 30 credits (15 ECTS credits).

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You have the opportunity to select wild modules in this stage

Teaching & Assessment

Italian

Teaching is by lectures and seminars. We have extensive technical facilities, including three satellite TV channels, video and DVDs and computer-assisted language learning.

Depending on the modules you select, assessment throughout all stages of the course varies from 100% coursework, to a combination of examination and coursework, in the ratio 50:50, 60:40, 70:30 or 80:20.

Film

All modules involve lectures, small group seminars and film screenings (where relevant). On average, you have two lectures and three hours of seminars each week, plus four to six hours film viewing.

Depending on the modules you select, assessment varies from 100% coursework (extended essays or dissertation), to a combination of examination and coursework.

Programme aims

The programme aims to:

  • produce graduates who have an informed, critical, analytical and creative approach to understanding film as cultural and aesthetic expressive media
  • develop students' creative, intellectual, analytical and research skillsd
  • develop existing and new areas of teaching in response to the advance of research and scholarship within the subject
  • provide students with knowledge and skills in film studies
  • develop students' critical, analytical and creative skills in relation to film study
  • develop students' ability to think independently and flexibly
  • develop students’ awareness of and sensitivity to the contexts of production and consumption of film
  • enhance students’ interpersonal skills and develop their reflexiveness across both individual and group work.

Learning outcomes

Knowledge and understanding

You gain knowledge and understanding of:

  • particular forms of film and the way in which they organise understanding, meanings and affects
  • the historical evolution of particular genres, aesthetic traditions and forms
  • the ways in which critical and cultural theories and concepts have developed within particular contexts
  • the cultural and social contexts which affect the meaning of film works
  • aesthetic judgement
  • the diversity of film forms
  • conceptualisations of pleasure and identification in film
  • narrative processes in film
  • modes of representation at work in film
  • film conventions
  • the ways in which different social groups may relate to and interact with film works
  • the ways in which people engage with film practices and make meaning from them.

Intellectual skills

You gain the following intellectual abilities:

  • engage critically with major thinkers, debates, intellectual paradigms, and scholarly literature within the field
  • understand forms of film as they have emerged historically
  • examine the historical, social and cultural contexts of such forms
  • analyse closely, interpret, and undertake critical evaluation
  • critically reflect upon your own work
  • carry out various forms of research for essays, projects, creative productions or dissertations involving sustained independent enquiry
  • formulate apposite research questions and employ appropriate methods and resources to explore them
  • evaluate and draw upon the range of sources and the conceptual frameworks appropriate to research in a chosen area
  • draw and reflect upon the relevance and impact of your own cultural assumptions to the practice of research.

Subject-specific skills

You gain subject-specific skills in how to:

  • analyse and interpret sounds and images in time and space
  • draw upon understanding and knowledge of narrative and stylistic forms and structures in film
  • bring together ideas from various sources of knowledge and different academic disciplines
  • articulate understanding of visual and oral media in a written medium
  • effectively deploy terms and concepts specific to the study of film
  • where practice modules are undertaken: produce work which demonstrates the effective manipulation of sound, image, performance and, where appropriate, the written word
  • utilise effectively relevant technical concepts and theories
  • produce work showing competence in the operational skills of screen production and post-production technologies
  • initiate, develop and realise distinctive and creative work through group collaboration
  • manage time, personnel and resources effectively
  • demonstrate an understanding of communicative strategies specific to film
  • produce work informed by, and contextualised within, relevant theoretical debates you have studied within the programme as a whole.

Transferable skills

You gain the following transferable skills:

  • working in flexible, creative and independent ways, showing self-discipline, including time-management and self-direction, sustain focus and apply attention to detail
  • organising and managing supervised, self-directed projects,and researching and evaluating sources in the process of carrying out independent study
  • communicating effectively and appropriately orally and in writing and, where undertaken, in other media
  • identifying issues and questions and gathering, organising and deploying knowledge and ideas to formulate cogent analysis and arguments, making subtle and discriminating comparisons and applying interpretive skills in diverse situations and contexts
  • working productively in a group, and displaying an ability, at different times to listen, contribute and lead effectively
  • showing insight in, and understandinging of, the social and ethical issues surrounding contemporary communications, media, culture and society
  • use of information technology, including (where undertaken)digital technology in relation to practice.

Careers

Studying Italian and Film, you learn to think critically and to work independently; your communication skills improve and you learn to express your opinions passionately and persuasively, both in writing and orally. These key transferable skills are essential for graduates as they move into the employment market. In addition, the ability to speak a European language other than English is a key asset in the global employment market, and many employers view a graduate with overseas experience as more employable.

For Italian, as well as giving students the opportunity to study abroad or teach English in Italy, we are able to offer two paid work placements at Fondazione CRT for students of Italian studies. The placements involve either teaching at the University of Turin or Fondazione CRT on projects including translation, research and correspondence with international organisations.

Recent graduates have gone on to careers in teaching, translating and interpreting, marketing, journalism, publishing, arts organisations, local government and business, or to pursue postgraduate academic courses.

Entry requirements

Home/EU students

The University will consider applications from students offering a wide range of qualifications, typical requirements are listed below, students offering alternative qualifications should contact the Admissions Office for further advice. It is not possible to offer places to all students who meet this typical offer/minimum requirement.

Qualification Typical offer/minimum requirement
A level

BBB

GCSE

Grade B in a modern European language other than English

Access to HE Diploma

The University of Kent will not necessarily make conditional offers to all access candidates but will continue to assess them on an individual basis. If an offer is made candidates will be required to obtain/pass the overall Access to Higher Education Diploma and may also be required to obtain a proportion of the total level 3 credits and/or credits in particular subjects at merit grade or above.

BTEC Level 3 Extended Diploma (formerly BTEC National Diploma)

The University will consider applicants holding BTEC National Diploma and Extended National Diploma Qualifications (QCF; NQF;OCR) on a case by case basis please contact us via the enquiries tab for further advice on your individual circumstances.

International Baccalaureate

34 points overall or 15 at HL including 4 at HL or 5 at SL in a modern European language other than English

International students

The University receives applications from over 140 different nationalities and consequently will consider applications from prospective students offering a wide range of international qualifications. Our International Development Office will be happy to advise prospective students on entry requirements. See our International Student website for further information about our country-specific requirements.

Please note that if you need to increase your level of qualification ready for undergraduate study, we offer a number of International Foundation Programmes through Kent International Pathways.

Qualification Typical offer/minimum requirement
English Language Requirements

Please see our English language entry requirements web page.

Please note that if you are required to meet an English language condition, we offer a number of pre-sessional courses in English for Academic Purposes through Kent International Pathways.

General entry requirements

Please also see our general entry requirements.

Funding

Kent offers generous financial support schemes to assist eligible undergraduate students during their studies. Our funding opportunities for 2017 entry have not been finalised. However, details of our proposed funding opportunities for 2016 entry can be found on our funding page.  

General scholarships

Scholarships are available for excellence in academic performance, sport and music and are awarded on merit. For further information on the range of awards available and to make an application see our scholarships website.

The Kent Scholarship for Academic Excellence

At Kent we recognise, encourage and reward excellence. We have created the Kent Scholarship for Academic Excellence. Details of the scholarship for 2017 entry have not yet been finalised. However, for 2016 entry, the scholarship will be awarded to any applicant who achieves a minimum of AAA over three A levels, or the equivalent qualifications as specified on our scholarships pages. Please review the eligibility criteria on that page. 

Enquire or order a prospectus

Resources

Read our student profiles

Contacts

Related schools

Enquiries

T: +44 (0)1227 827272

Fees

The 2017/18 tuition fees for this programme are:

UK/EU Overseas
Full-time £9250 £13810

As a guide only, UK/EU/International students on an approved year abroad for the full 2017/18 academic year pay an annual fee of £1,350 to Kent for that year. Students studying abroad for less than one academic year will pay full fees according to their fee status. Please note that for 2017/18 entrants the University will increase the standard year in industry fee for home/EU/international students to £1,350.

The Government has announced changes to allow undergraduate tuition fees to rise in line with inflation from 2017/18.

The University of Kent intends to increase its regulated full-time tuition fees for all Home and EU undergraduates starting in September 2017 from £9,000 to £9,250. This is subject to us satisfying the Government's Teaching Excellence Framework and the access regulator's requirements. The equivalent part-time fees for these courses will also rise by 2.8%.

For students continuing on this programme fees will increase year on year by no more than RPI + 3% in each academic year of study except where regulated.* If you are uncertain about your fee status please contact information@kent.ac.uk

Key Information Sets


The Key Information Set (KIS) data is compiled by UNISTATS and draws from a variety of sources which includes the National Student Survey and the Higher Education Statistical Agency. The data for assessment and contact hours is compiled from the most populous modules (to the total of 120 credits for an academic session) for this particular degree programme. Depending on module selection, there may be some variation between the KIS data and an individual's experience. For further information on how the KIS data is compiled please see the UNISTATS website.

If you have any queries about a particular programme, please contact information@kent.ac.uk.

The University of Kent makes every effort to ensure that the information contained in its publicity materials is fair and accurate and to provide educational services as described. However, the courses, services and other matters may be subject to change. Full details of our terms and conditions can be found at: www.kent.ac.uk/termsandconditions.

*Where fees are regulated (such as by the Department of Business Innovation and Skills or Research Council UK) they will be increased up to the allowable level.

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The University of Kent, Canterbury, Kent, CT2 7NZ, T: +44 (0)1227 764000