Comparative Literature

Comparative Literature - MA


This Comparative Literature MA is based in both Canterbury and Paris to offer the postgraduate study of literature beyond national and linguistic borders, enabling you to spend one term in each location.



After a term at our Canterbury campus, you study at Kent’s Paris School of Arts and Culture to study modules with a specific focus on this city, allowing you to benefit from the experience of living and studying in another European culture. All classes in Paris are taught in English. The programme can also be studied at Canterbury only.

Comparative Literature involves the study of literature from two or more national and linguistic traditions, allowing students to gain an intercultural and transnational understanding of diverse cultural and literary practices. The MA programme explores three main areas: themes, genres, movements and major literary figures; the interactions and exchanges between national literary traditions; and the theory and practice of comparative literature. These complementary strands encourage comparative analysis in a variety of contexts, ranging from the study of national literatures to the exploration of different genres, periods, media and literary theory.

The programme is offered by the Department of Comparative Literature and benefits from staff expertise in a range of areas, including European modernism, postmodernism, postcolonial literature, literature and medicine, literature and sexuality, literature and psychoanalysis and literature and the visual arts. Our programme also draws on additional expertise in the School of European Culture and Languages, particularly from colleagues in the departments of French, German, Hispanic Studies and Italian, as well as from colleagues in the School of English.

You begin by studying a choice of four modules across the Autumn and Spring terms, before writing a 12,000-word dissertation over the summer, supervised by an expert in the department.

This programme is ideal for those wanting to pursue detailed literary and cultural studies and also wishing to benefit from the experience of living and studying overseas. 

National ratings

In the Research Excellence Framework (REF) 2014, modern languages and linguistics was ranked 3rd for research quality, 3rd for research output and in the top 20 for research intensity, research impact and research power in the UK.

Our submission was the highest ranked nationally to include modern languages – a testament to our position as the UK’s European university. An impressive 100% of our research was judged to be of international quality and the School’s environment was judged to be conducive to supporting the development of world-leading research.

Course structure

This programme enables you to study in Canterbury in the autumn term and in Paris in the spring term. The autumn term modules are the same as those for the standard MA in Comparative Literature. The spring term modules are taught by staff from the University of Kent and occasional guest lecturers, ensuring consistent academic standards and assessment throughout the year. These modules are designed to be specifically relevant to the experience of living and studying in Paris. You are encouraged to make full use of Paris’ cultural resources and to integrate these into your studies. University of Kent staff are resident in Paris during the spring term to ensure year-long continuity of academic guidance and pastoral support.


The following modules are indicative of those offered on this programme. This list is based on the current curriculum and may change year to year in response to new curriculum developments and innovation.  Most programmes will require you to study a combination of compulsory and optional modules. You may also have the option to take modules from other programmes so that you may customise your programme and explore other subject areas that interest you.

Modules may include Credits

The curriculum includes a selection of texts from various countries, all readily available in English and all specifically relevant to the modern history, evolving population and changing appearance of Paris and to how these aspects of the city has been perceived and represented in literary prose. The set texts are by writers from different periods and of various nationalities and they are all set in and inspired by Paris. The texts are chosen for their high literary quality, but also because they represent essential aspects of the city’s evolution and exemplify various narrative strategies and ways of engaging with the realities of life in the city, always shaped by personal preoccupations and sensibilities. This varied selection within the genre of prose fiction allows study of Zola’s naturalism and his presentation of the political and aesthetic implications of baron Haussman’s plans for urban renewal and control; Edith Wharton’s perspective as an American incomer; André Breton’s combination of oneiric urban encounters with photographic illustrations of the city, inserted into the text; Jean Rhys’s clearly gendered experience of the city in the 1920s and 1930s; the identity of the city as a site for postwar liberation and literary dynamism in the work of expatriates from the Beat generation; and the representation of today’s city as a centre for immigrant communities and cultural diversity. The primary texts are thus all Paris-focussed but are chosen to open an international perspective on the literary representation of an increasingly cosmopolitan city.

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In this module you will learn further techniques of writing fiction, including how to plot a full-length novel, work on deep characterisation and the construction of an intellectual framework within your fiction. You may be continuing to work on a project begun in Fiction 1, or starting something new. Rather than expecting you to try new techniques, voices and styles, your tutor will work with you to identify your strongest mode of writing and will encourage you to develop this.

Your tutor will supply you with a reading list before the start of the module.

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The main focus of Poetry 2 is to further develop and refine your writing with the eventual aim of producing a successful dissertation portfolio of fully realised, finished poems. Poetry 2 differs from Poetry 1 in that you are encouraged to develop a sequence or series of wholly new poems.

In this module you will develop your practice of writing poetry through both the study of a range of contemporary examples and constructive feedback on your own work. Each week, you will be exposed to a wide range of exemplary, contemporary sequences. The approach to the exemplary texts will be technical rather than historical; at every point priority is given to your own particular development as poets.

The reading list does not represent a curriculum as such, but indicates the range of works and traditions we will draw upon to stimulate new thought about your own work. Decisions about reading will be taken in response to individual interests. Likewise, you will be directed toward work which will be of particular benefit to you.

The main focus of Poetry 2 is to further develop and refine your writing with the eventual aim of producing a successful dissertation portfolio of fully realised, finished poems. Poetry 2 differs from Poetry 1 in that you are encouraged to develop a sequence or series of wholly new poems.

In this module you will develop your practice of writing poetry through both the study of a range of contemporary examples and constructive feedback on your own work. Each week, you will be exposed to a wide range of exemplary, contemporary sequences. The approach to the exemplary texts will be technical rather than historical; at every point priority is given to your own particular development as poets.

The reading list does not represent a curriculum as such, but indicates the range of works and traditions we will draw upon to stimulate new thought about your own work. Decisions about reading will be taken in response to individual interests. Likewise, you will be directed toward work which will be of particular benefit to you.

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‘Paris: The Residency’ contributes to the poetry and prose strands of the MA in Creative Writing and the Literature strand of the Paris Programmes. The objective of ‘Paris: The Residency’ is to give students as close an experience as possible of what it might be like to be a writer in residence or retreat, and to produce work inspired by a specific location for a specific period of time. The emphasis will be on producing a body of creative work for the main assessment. This module aims to enable students to develop their practice of writing through both the study of a range of contemporary examples and practices, and constructive feedback on their own work. Throughout their stay, students will be exposed to a wide range of instances of exemplary, contemporary work relating to Paris, or which was written by writers whilst staying, or living in Paris (as suggested by the indicative reading list). They will be encouraged to read as independent writers, to apply appropriate writing techniques to their own practice and to experiment with voice, form and content. The approach to the exemplary texts will be technical as well as historical. At every point in the module, priority will be given to students’ own development as writers. It is an assumption of the module that students will already have a basic competence in the writing of poetry or prose, including a grasp of essential craft and techniques. The purpose of this module will be to stimulate students towards further development of, and to hone their already emerging voices and styles through engaging with various literary texts, raising an awareness of place as the starting point for new writing, and how their work can develop with large chunks of time for independent study, reflection and exploration of a city like Paris.

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'Modernism and Paris' provides students with an opportunity to study a selection of texts from the UK, USA and mainland Europe, all readily available in English and specifically relevant to both Paris and modernism. The texts are all either inspired by, set in, or refer significantly to Paris and most were written in the city. They seek new and experimental literary expressions for the experience of modern city life and demonstrate a range of literary forms, including the novel, poetry, manifestos, essays and biography. In exploring the cultural contexts as well as avant-garde politics and aesthetics of modernism, the module presents texts by major authors of different nationalities, chronologically ordered, allowing students to appreciate the beginnings and development of modernism from the late 19th century to the first decades of the 20th century. It recognises the importance of modernist cross-fertilisation between literature and the visual arts and encourages students to explore links between modernist literature and the development of, for example, cubism and surrealism. The primary materials are Paris-focused but are chosen to open an international perspective on literary culture and history.

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Among the various paradigms from which diasporic writing should be distinguished is the literature of exile. Exile is often the consequence of political pressure or disaffection with a society rather than the result of the larger and often spatially and chronologically extended migratory movements which led to the emergence of diasporic communities. While both paradigms may intersect, the concerns and motivations of diasporic and exilic literatures usually differ.

A historically and culturally significant geographical, and frequently also imaginary, point of intersection between the diasporic and the exilic paradigms is the metropolis of Paris. In this module, our comparative focus will be on diasporic and exilic literatures and on the significance of the diasporic or exilic space of the French metropolis, both as production context and as informing literary production. Writers to consider include: American expatriates in 1920 (like Gertrude Stein, Ernest Hemingway, Henry Miller, F. Scott Fitzgerald and Djuna Barnes), in the Post World War II era (like Richard Wright and James Baldwin), and other writers who chose exile in Paris (like Heinrich Heine, Oscar Wilde, Rainer Maria Rilke, Samuel Beckett)

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This course examines the medium of film, considering its specific qualities as an art-form and the particular ways in which it is influenced by and influences other artistic and cultural forms in the historical moment of early 20th century Paris. The emphasis of the course varies from year to year, responding to current research and scholarship, but it maintains as its focus the aesthetic strategies of film in contrast with other arts, film's relationship to historical change, particularly as it is developed in the growth of Paris as a city. The course also addresses the particular strategies used by the cinema to communicate with its historical audience. The course explores both the historical place of the cinema within the development of twentieth-century urban culture in Paris as well as how this historical definition informs the development of the cinema.

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This module is designed to examine the overlapping influence of Early Modern and Enlightenment thinkers and writers mainly based in England, France and Germany. A particular focus is provided by the Parisian setting: several key figures (such as Voltaire, Rousseau and Diderot) lived in Paris for a significant part of their lives, and Paris was a city second to none in its importance within a vast international exchange of ideas during the Enlightenment period. The module will encourage students to consider the historical contexts out of which the various texts emerge, and show how ideas passed between England, France, Germany and elsewhere. Attention will consistently be paid to the tension between Enlightenment and Counter-Enlightenment in Europe. This will include allowing the students to understand debates, in the eighteenth century (and, if appropriate, since then), around the following issues: empiricism; sensationism; toleration; freedom of speech; aesthetics; literary genres; the 'pre-Romantic'.

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This module examines a selection of pre-eminent texts in modern French art theory and philosophy. It invites students to analyse and to chart intersections and developments in French writing on the image across shifting critical landscapes, including those marked by phenomenology, structuralism and post-structuralism. Students will be encouraged to explore French theories of art with due attention to historical precedents, and to reflect on the aesthetic, political and technological significance of the visual arts for a wide range of French thinkers.

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The module will focus on Paris as a centre of artistic experimentation. The city served as the launch pad for key artistic movements from the mid-19th century through to the period after the Second World War (Impressionism, Cubism, Surrealism, etc.), and as a magnet for budding and established artists from all around the world. The module will take advantage of the great museum collections that encapsulate such developments (Musées d'Arte Moderne and d’Orsay, Rodin and Picasso Museums, Beaubourg, Quai Branly, etc.) and also of the major exhibitions on show in Paris in any given year.

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This module, to be taught at the Paris School of Arts and Culture, looks at Paris' revolutionary and resistance past. We cover a two-hundred-year period, beginning with the revolution of 1789 and ending with the student protests of May 1968. We will explore Paris during the two world wars, the Commune of 1871, the 1848 revolution and advances in medicine, science, painting and literature.

The aim of this module is to examine the ways in which Parisian culture, which has long been at the centre of innovation in the fields of architecture, film, literature, art, philosophy and drama, has been transformative. The module is interdisciplinary and will include the analysis of memoirs, oral histories, memorials, instruments, paintings, literary texts, cartoons, posters, film, newspapers, radio and the internet.

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From the French Revolution to the European Union, the term 'Europe' has long been a placeholder for a large number of utopian, internationalist aspirations. These aspirations are necessarily culturally and politically contingent; to trace the history of cultural constructions of Europe is to hold a mirror up to its changing intellectual faces. Focusing on a series of influential texts published at significant moments in the recent history of the continent, this module investigates how the changing ‘idea of Europe’ reflects the changing priorities of cultural discourse. In particular, it considers the key role – but also contested – played by Paris in particular as a European cultural capital, central to the idea of Europe and to the development of European culture. The texts studied on this module range across disciplines and genres, and include poems and pamphlets, essays and lectures, philosophy and politics. Through studying these texts in their socio-political contexts, the idea of Europe is triangulated through reference to a number of key categories (e.g. ‘prophecy’; ‘crisis’; ‘utopia’; Europe as ‘conservative’; Europe as ‘progressive’). The overall aim of this module is to explore what it means to be – in Friedrich Nietzsche’s words – a ‘good European’, and to consider the central role played by Paris in the emergence of modern European culture.

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In recent decades European intellectual culture has seen a turn towards the post-secular, the post-critical, the “return” of religion, or, as Claude Lefort described it “the permanency of the theologico-political”. Such gestures invite a rethinking of the political, social, and intellectual role of “religion” in the recent history of European thought. Such reworking intimately affects the understanding of Europe within a scene of global political and economic development, European traditions of philosophy, concepts of political autonomy; its critical theories of culture and economy, links between the idea of Europe and democratic political foundations; and the nature of artistic, social, and psychological exploration. This course creates capacities to interact with and to intervene in these important and on-going cultural discussions by developing new maps of “religion” as a central preoccupation in the formation of European intellectual identity, with a strong focus on Paris and the history of religion in “French theory” (e.g the works of Badiou, Benslama, Derrida and Foucault).

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The notion of autobiography as a documentary genre, in which the writer unproblematically records the facts of his or her life, has been called into question by modern critical studies of the genre, many of the most important theorists of autobiographical writing insisting upon its central place in the literary canon, alongside plays, novels, and poems, with which it would share a certain ‘literariness’. Focusing on a wide range of modern autobiographical texts from different national and linguistic cultures, this module will treat questions of generic definition, form, motivation, and rhetorical strategy. Among the specific questions to be considered are: Can autobiography be strictly defined? How does autobiography relate to other literary genres such as the diary or the first-person novel? Is autobiography a particular kind of narrative? Is there an identifiable rhetoric of autobiography? Is sincerity a meaningful criterion when considering autobiography? What kinds of relationship do autobiographers attempt to establish with their readers? We shall also consider some of the recurring themes in autobiographical writing since the Romantic period, including the representation of childhood, the family, sexuality, gender, ethics, mortality, and politics.

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This module is designed to familiarize students with the history of Comparative Literature as an academic discipline, to develop their ability to analyse critically the major conceptions of Comparative Literature that have emerged over the twentieth and twenty-first centuries, and to enable them to apply theories of Comparative Literature in the analysis of literary movements, literary genres, literary topoi (such as the ‘fallen woman’), and literary figures who recur at different moments in literary history (such as Odysseus, Oedipus, Antigone, and Faust). Students will begin by studying a range of major conceptions of Comparative Literature, and will consider the implications for the discipline of Comparative Literature of theories of globalization, multiculturalism, translation studies, and world literature. They will then proceed to analyse selected literary works within the framework of these conceptions of Comparative Literature. The module will therefore combine a theoretical with a practical literary-critical dimension, encouraging close reading and an appreciation of historical context in the analysis of theoretical and literary texts.

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This module explores the idea of the city, and the major concepts related to urban life. It analyses and determines the conditions of their emergence within a broader cultural context. It traces how these concepts have changed through time, with the aim of enhancing our present understanding of cities and their regeneration. It follows the development of city planning and the establishment of planned, ideal cities as a political goal up to the foundation of new towns. In its dealing with historically modern cities, the module centres on case studies of cities representative of urbanism from the eighteenth to the twenty-first centuries, drawing lessons from the methods and types of documentation used in its development. The course also introduces the manner in which architecture has generated a number of spontaneous and critical responses to the demands of the city in the past four decades. The arguments are drawn from sources in architectural and urban theory, philosophy, art history, anthropology, literary sources and social sciences.

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The topic of the dissertation will usually be based on, and develop from, work undertaken on one or more of the four coursework modules undertaken in the course of the MA. The dissertation must be comparative in nature, including an analysis of more than one work, from more than one national/linguistic tradition.

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Teaching and Assessment

Assessment is by one 5,000-word essay for each module, and the dissertation.

Programme aims

This programme aims to:

  • provide the opportunity to obtain a postgraduate qualification (MA) in one year, and to allow, if required, a smooth transition to doctoral studies
  • allow you to spend the first term in Canterbury, studying modules in comparative literature, and the second term in Paris, studying modules in French, European, English and American literatures
  • enhance your knowledge of European literature and European cinema
  • enable an in-depth exploration of areas of modern European culture
  • develop your knowledge and understanding of relevant aspects of contemporary Paris and the cultural history of the city as reflected in modern French, European, English and American literatures and other artistic media
  • develop a critical awareness of these topics
  • build an understanding of critical theories linked with the study of these topics
  • introduce various methodological approaches
  • develop knowledge of relevant databases
  • provide teaching which is informed by current research and scholarship and which requires you to engage with aspects of work at the frontiers of knowledge
  • provide access to intercultural awareness and understanding
  • provide opportunities for the development of your personal, communication and research skills and other key skills appropriate for graduate employment both in industry and in the public sector
  • develop your critical, analytical, problem-solving and other transferable skills.

Learning outcomes

Knowledge and understanding

You gain knowledge and understanding of:

  • aspects of comparative literature
  • Modernism as an international movement in literature and art and the role of Paris as a site of modernist experimentation
  • the cultural history of modern Paris, as reflected in art and literature
  • research methodology
  • critical theory and its application to appreciation of literature and to a research dissertation.

Intellectual skills

You develop intellectual skills in:

  • language skills: reading, comprehension and communication skills in English
  • problem-solving skills: the ability to reason logically, critically and analogically
  • how to evaluate complex information critically
  • how to synthesise complex information from a number of sources in order to gain a coherent understanding of the subject
  • research methodology: gather, organise and deploy evidence, data and information from a variety of secondary and primary sources
  • academic skills: identify, investigate, analyse, formulate and advocate solutions to problems. Develop reasoned arguments, synthesise relevant information and exercise critical judgement
  • adaptation skills: learn to work in different environments by adapting to the educational, cultural and professional environments of England and France, while adopting an interdisciplinary approach to literary studies.

Subject-specific skills

You gain subject-specific skills in:

  • analyse a variety of sources, both textual and visual, in English
  • develop an appreciation of a variety of literary styles and art forms and their lines of divergence and convergence
  • develop in-depth knowledge of European culture and literature
  • develop a comprehensive knowledge of the cultural development of modern Paris, as expressed in literature and art
  • a comprehensive understanding and ability to apply and evaluate various theoretical approaches to the study of literature and other art forms.

Transferable skills

You gain the following transferable skills:

  • oral communication: the ability to communicate orally at a high standard
  • written communication: the ability to produce written work of a high standard, in appropriate register, in English
  • IT: a high level of competence in information processing using relevant databases and online research
  • teamwork: the ability to undertake group tasks that will encourage co-operative skills
  • utilise problem-solving skills in a variety of theoretical and practical situations
  • time management
  • living and working in diverse cultural environments: you will participate and work in academic communities in both Canterbury and Paris. You will thus develop cultural knowledge and understanding, flexibility, imagination, resourcefulness and tolerance.


Comparative literature graduates develop key skills, including critical thinking, analysis and problem solving. They go on to successful careers in areas such as the media, academia and many different cultural institutions including libraries, museums and galleries.

Study support

About the Department of Comparative Literature

Comparative Literature is part of the School of European Culture and Languages (SECL), which embraces eight other disciplines: Classical & Archaeological Studies, English Language and Linguistics, French, German, Hispanic Studies, Italian, Philosophy and Religious Studies. This means that students enrolled on a postgraduate programme in Comparative Literature can draw on the excellent resources of a diverse team of teachers with expertise in many key areas of European culture.

The research interests of our staff are specifically comparativist in nature, and include the European avant-garde, modernism and postmodernism, postcolonial literature, literary theory, and the relationship between literature and the visual arts. In addition to the research expertise of our staff, all postgraduates in Comparative Literature benefit from the activities organised by the Centre for Modern European Literature. These include lectures by prestigious guest speakers, research seminars, conferences and a reading group.

Postgraduate resources

The Templeman Library has excellent holdings in all our areas of research interest, with particular strengths in modern European literature. The School of European Culture and Languages provides high-quality IT facilities, with state-of-the art language laboratories, dedicated technical staff and designated areas for postgraduate study. Language-learning and translation facilities include eight all-purpose teaching rooms, two networked multimedia laboratories and a streamed film library.


All postgraduate students in SECL have the opportunity to undertake both subject-specific training and an extensive postgraduate skills training programme provided by the Graduate School. The School provides training workshops for postgraduate students with teaching responsibilities, bringing together students from all its subject areas. Research students gain further academic experience by giving research talks in the Centre for Modern European Literature seminar series, and attending national and international conferences.

Language speaking

Every year, a considerable number of native speakers of foreign languages follow our courses, and several European exchange students stay on to do graduate work. There are also foreign language lectors who are either combining teaching with a Kent higher degree or completing a dissertation for their home universities. We can assist with language-training needs for overseas postgraduates, particularly where English is concerned, and are also involved in the Erasmus and Tempus networks.

Paris libraries

In Paris, you are encouraged to make full use of the city's cultural resources and to integrate that experience into your studies. The Louvre, Centre Pompidou, Musée d’Orsay, Musée d’Arte Moderne, Grand Palais and other world-class museums and exhibition spaces are on your doorstep.

In addition, you benefit from borrowing rights at the libraries of the University of Paris VII, which have viewing facilities and holdings of films, books and periodicals in English. You also have access to the libraries of University of Paris III (Sorbonne Nouvelle). Other Paris libraries with relevant holdings include the French National Library, the Centre Georges Pompidou Public Library and the American Library in Paris, to which you are given access and a guided visit.

Dynamic publishing culture

Staff publish regularly and widely in journals, conference proceedings and books. Among others, they have recently contributed to: Comparative Critical Studies; French Studies; Forum for Modern Language Studies; German Life and Letters; Modern Language Review.

Students based in Paris collaborate with Kent students from other campuses to produce a literary magazine, Le Menteur, which was founded in 2012. Le Menteur specialises in poetry, fiction, essays and visual art. For details, please see

Global Skills Award

All students registered for a taught Master's programme are eligible to apply for a place on our Global Skills Award Programme. The programme is designed to broaden your understanding of global issues and current affairs as well as to develop personal skills which will enhance your employability.  

Entry requirements

A first or 2.1 in a relevant subject (eg, English, French, German, Italian, Hispanic Studies, Classics), or equivalent.

All applicants are considered on an individual basis and additional qualifications, and professional qualifications and experience will also be taken into account when considering applications. 

International students

Please see our International Student website for entry requirements by country and other relevant information for your country. 

English language entry requirements

The University requires all non-native speakers of English to reach a minimum standard of proficiency in written and spoken English before beginning a postgraduate degree. Certain subjects require a higher level.

For detailed information see our English language requirements web pages. 

Need help with English?

Please note that if you are required to meet an English language condition, we offer a number of pre-sessional courses in English for Academic Purposes through Kent International Pathways.

Research areas

Areas of particular research strength in Comparative Literature at Kent include the European avant-garde, modernism and postmodernism, postcolonial literature, literary theory, literature and medicine, literature and the visual arts, literature and sexuality, and literature and philosophy. The list below indicates the range of current research interests of members of staff within Comparative Literature and the other disciplines with whom we work closely. Many of these staff are members of the Centre for Modern European Literature. They can supervise postgraduate students for the MA or PhD degrees in any of their respective areas of expertise. If you are considering applying to undertake a research degree, we encourage you to contact us to discuss your plans at an early stage of your application.

  • The European avant-garde
  • Modernism and postmodernism
  • Postcolonial literature
  • Literary theory
  • Literature and medicine
  • Literature and philosophy
  • Literature and sexuality
  • Literature and the visual arts

Centre for Language and Linguistic Studies

Founded in 2007, the Centre for Language and Linguistic Studies (CLLS) promotes interdisciplinary collaboration in linguistic research and teaching. Membership embraces not just the members of English Language and Linguistics but also other SECL members with an interest in the study of language, as well as researchers in philosophy, computing, psychology and anthropology, reflecting the many and varied routes by which individuals come to a love of language and an interest in the various disciplines and subdisciplines of linguistics.

Centre for Modern European Literature

Many of the most significant European writers and literary movements of the modern period have traversed national, linguistic, and disciplinary borders. Co-directed by members of Comparative Literature, French, and German, the Centre for Modern European Literature aims to promote collaborative interdisciplinary research that can do justice to these kinds of border crossing. Ranging across English, French, German, Italian and Spanish literature, the Centre focuses in particular on the European avant-garde, European modernism and postmodernism, literary theory, the international reception of European writers, and the relations between modern European literature and the other arts, including painting, photography, film, music and architecture. The Centre’s activities include a lecture and seminar series and the regular organisation of conferences. It also works with the editors of the postgraduate journal Skepsi, and runs the MA in Modern European Literature.

Staff research interests

Full details of staff research interests can be found on the School's website.

Dr Katja Haustein: Lecturer in Comparative Literature

French and German autobiographical writing; visual culture; memory and identity; literature and the emotions; women and gender; art and medicine.

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Professor Ben Hutchinson: Professor of Modern European Literature

Nineteenth and 20th-century German and European literature, especially Rilke, W G Sebald, Jean Améry, Hans-Georg Gadamer, Geoffrey Hill, 20th-century poetry, modernism.

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Dr Patricia Novillo-Corvalan: Senior Lecturer in Comparative Literature

Modernism, 20th-century Hispanic and Latin American literature; Borges, Cortázar, Joyce; reception studies; medical humanities.

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Dr Anna Katharina Schaffner: Reader in Comparative Literature

Modernist literature, the history of sexuality, the European avant-garde, the history of medicine and psychoanalysis.

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Dr Axel Staehler: Reader in Comparative Literature

Jewish literature and culture, early modern European festival culture, the 18th-century novel in Europe, intermediality and ‘iconarratology’, postcolonial literature and theory, contact zones and intercultural communication, fundamentalism and literature.

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Professor Shane Weller: Professor of Comparative Literature

European modernism, postmodernism and literary theory; Beckett, Kafka, Blanchot, Celan, Bernhard, Sebald; literature and ethics; literature and philosophy; history of ideas.

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The 2018/19 annual tuition fees for this programme are:

Comparative Literature - MA at Canterbury and Paris:
UK/EU Overseas
Full-time £8250 £15200

For students continuing on this programme fees will increase year on year by no more than RPI + 3% in each academic year of study except where regulated.* If you are uncertain about your fee status please contact

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Find out more about general additional costs that you may pay when studying at Kent. 


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