Born and raised in Germany, I settled in the UK in 2005. At the University of Kent, modules I teach involve physical approaches to acting, performance and devising, body politics, and autobiography and performance. I am programme leader for the MA Physical Acting. In the past I have also taught at Goldsmiths and the Royal Central School of Speech and Drama.
My work, driven by a love of movement and curiosity about the human experience of sense and memory, now moves in three interweaving strands around the theme of our ‘experienced bodies’:
My research focuses on the way in which body image discourse operates in the field of contemporary performance. This encompasses training contexts, industry practice, and the engagement of audiences with body image as dramaturgical currency.
Strands of inquiry include:
- Politics of the body in the interface between art, business and self
- Body activism and its impact on contemporary performance practice
- Body shame and the healing potential of psychophysical performance practices
- Bodies beyond the visual: Dialogue between memory, imagination and movement in devising processes working from the senses of taste, smell and touch
- In search of the holistic: application of Michael Chekhov training in the 21st century in theatre and beyond
- Cognition and the embodied language of performance
- Mitchell, R. (2018 forthcoming book chapter). ‘Chekhov Technique for Movement and Dance Training’ in Michael Chekhov Technique in the Twenty-first Century: New Pathways. Eds. Cornford, T. and Fleming, C. (Bloomsbury Methuen Drama)
- Mitchell, R. (2017 forthcoming article). ‘Tasting the Atmosphere: Consuming Images’ in Indian Theatre Journal: Special Issue On Taste.
- Mitchell, R. and Dennis, K. (2016). The Dramaturgy of Wine, the Terroir of Performance: Multi-Sensory Performance-Making in Through the Grapevine. In: Interdisciplinary.Net 5th Global Conference: Performance, 7-10 November, 2014. ID Press: Online.
- Mitchell, R. (2015). The Body That Fits The Bill. About Performance: Special Issue on the Lives of Actors. 15(1).
- Mitchell, R. (2014). Seen But Not Heard: An Embodied Account of the (Student) Actor’s Aesthetic Labour. Theatre, Dance and Performance Training, 5(1).
- Mitchell, R. and Pakula, P. (2013). Imagining O, Encountering India: Recounting an embodied experience. Indian Theatre Special Issue On The Body: Studies in South Asian Film and Media, 5(1).
2. Professional Practice
I work as a performance-maker and movement director nationally and internationally. Alongside my independent creative practice, I am also an associate artist with East Coast Artists in the US. More information about my professional practice can be found on my personal website: roannamitchell.com.
3. Activism and Community
I am Artistic Director and Project Coordinator for the body activist organization AnyBody UK, convened by Dr Susie Orbach. AnyBody UK are co-founders of the local-global initiative Endangered Bodies. See my 2014 TEDx talk on the struggle with body hatred and why magic wands don’t work here.
Also view these in the Kent Academic Repository
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