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French at Kent has come 7th in the country in the most recent research assessment exercise (2008). This is a reflection of the outstanding international reputation of the Department’s research profile and of the high calibre of the postgraduate students at Kent.
| Sarah St. John graduated in 2007 with a BA with honours in French and Spanish from the University of Kent. After spending the initial period immediately following her graduation working in London and discovering that the commercial world was not necessarily what she was destined for, she returned to the University of Kent in 2008 to pursue her career on both an academic and professional level. The latter is fulfilled through her integral role within the University's student recruitment team, amongst other responsibilities, promoting the University throughout the country. Sarah is confident that her experience in the function of a Higher Education institution from an administrative point of view will complement the academic career she aims for. On an academic level, Sarah is currently pursuing part-time postgraduate study by research and thesis in French. Having recently embarked on her study, she is presently working towards her MA but is overall aiming to complete a PhD. Her research focuses on the work of the poet, artist, film producer, writer Jean Cocteau, in particular his working relationship with Pablo Picasso. More specifically, the initial focus to her current MA research surrounds the 1917 ballet Parade in which Cocteau aimed to unite two very unlikely faces of the avant-garde; the Ballets Russes and the Cubists. Sarah's further research objectives lie in further collaborative works of Cocteau and Picasso including Antigone. Despite being new to postgraduate study, Sarah has had her paper: Cocteau's Parade; the scandalous ballet with a mask of ambiguity, accepted for publication. It is to be read at a conference on 22nd May for 'Skepsi', the University of Kent's journal for the School of European Culture and Languages. (MA) | ![]() |
| Patricia Hodges is a PhD student in French and completed both her BA and MA as a mature student at Kent. She has a particular interest in Narratology and is exploring how and by what means desire works within the discursive movement of narrative, and specifically in the work of Alain Robbe-Grillet and Marguerite Duras. She will be considering the various conditions of presence of the subject’s discourse and the way that desire in the subject emerges in these authors’ writing. These authors represent the shattering of the traditional Cartesian subject that is the result of postmodernism and deconstruction into a new distribution of relationships between the elements of narrative so the focus is on the non-traditional novel where the question of how the subject is constituted is foregrounded and problematised. Psychoanalysis has already been involved in literature to enhance our understanding of organizing practices of narrative so she will be using certain psychoanalytical concepts in her study, updated to take account of feminist and other critiques of the concepts in question. | ![]() |
Fabien Arribert-Narce is a PhD student in French at the University of Kent and at the University of Paris 3-Sorbonne Nouvelle. He began work on his PhD in 2007 after completing a BA in France (Grenoble) and a MA in Modern French Studies at Kent (with distinction). He was ‘pensionnaire étranger’ at the Ecole Normale Supérieure in Paris from January to June 2009, and he worked on his research topic at the National Institute of Japanese Literature in Tokyo during Autumn Term 2009 (research grant awarded by the Arts and Humanities Research Council). His doctoral research is funded by the AHRC and the University of Kent. He was awarded the 2010 ‘Prix Jeune Chercheur’ by the ‘Conseil International d’Etudes Francophones’, for his paper ‘Une guérilla contre le temps: les archives photobiographiques de Denis Roche’ given at the 24th Annual Congress of the CIEF (Montréal, July 2010). Fabien’s thesis focuses on the uses of photography in the autobiographical works of Roland Barthes, Denis Roche and Annie Ernaux. His main research interests are literary theory, autobiography, contemporary French women’s writing, the visual arts, and the influence of Japanese Culture on French literature and theory of the twentieth century. His current research focuses mainly on twentieth-century French literature (Ernaux, Perec, Duras, Barthes, Roche, Ndiaye). |
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| Mathilde Poizat-Amar is a PhD student in French at the University of Kent and at Paris-X (Nanterre). She completed a BA and a MA at the University of Kent after two years of studies in France (Grenoble). Her MA dissertation focused on the relationship between travel and modernity in the work of Baudelaire, Rimbaud, Cendrars and Apollinaire. Her PhD examinates travel writing in the work of Victor Segalen, Blaise Cendrars and Albert Londres. It explores how travel writing can make literature itself travel, using concepts developed by Deleuze especially, but also French theorists of genre : Gérard Genette, Jean-Marie Schaeffer, and Maurice Blanchot. Mathilde will spend some time in Paris for her research this academic year, as a “Pensionnaire étrangère” at the Ecole Normale Supérieure(ENS), as part of her Co-tutelle agreement. This term she will be teaching FR310, FR598 and FR616 at the University of kent, according to her GTA scholarship. | ![]() |
| Helen HY Cheng is currently in the first year of her MPhil. She holds a BA in French and a Masters in International Commerce and Marketing. She was born in Taiwan, raised in London, studied in London and Paris, and worked in all three countries. Her research is focused on the psychoanalytical differences and commonalities of depictions of women between francophone and sinophone societies in the works of Violette Leduc and Eileen Chang. The interest in her research arose after five years of teaching as a lecturer in various universities in Taiwan and having observed the neglect of women’s rights in the society, especially within the female community who still adhere to the traditional concept of women’s role. Her aim is to explore the extent to which the psychological needs of individuals reflect the acknowledgment of female identity between the East and the West, thus highlighting the restrictions placed by women in Chinese societies could be purely self-inflicted psychological barriers. Helen is kept busy all day between her studies, two very lively pre-school girls and a husband who works in the IC industry. (PhD) | ![]() |
Edlira Mandis is currently in the first year of her part-time MPhil. She has completed both a BA and Masters in French, at the University of Kent. Her study will focus on the literary representations of motherhood in contemporary French women’s writing, examining texts by Marie Ndiaye, Marie Darrieussecq, Lorette Nobécourt and Christine Angot amongst others. A key aspect of Edlira’s research will be to engage with the current literary and academic interest on the mother as subject and motherhood viewed from a mother’s own standpoint and experience. Edlira will also focus on another defining characteristic of contemporary French women’s fiction: the emphasis on form and style. The main interest lies in assessing its impact on the textual treatment and reading of mother-related thematics, paying close attention to any arising feminist concerns. A further research objective will be to investigate the possibility of a special relationship between the unconventional narrative form and structure adopted in these texts and the presence of the maternal. Taking as a point of departure the theories of l’écriture feminine, the aim will be to examine the various ways in which such a relation is expressed, or indeed challenged, and what its subsequent implications would be concerning current feminist research. |
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| Crispin Lee is beginning the first year of his MPhil in French, with a view to upgrading to PhD level in due course. He studied French (Single Honours) at UKC as an undergraduate. The dissertation for his recent MA in Modern French Studies, which was funded by the AHRC, explored images of resistance and revolt used by Albert Camus and Pablo Picasso in their writing and staging of theatre in Nazi-occupied Paris. Maintaining his interest in the relationship between conflict and creativity, Crispin’s current research, which is also AHRC-funded, focuses upon selected philosophical and prose works by Georges Bataille, Maurice Blanchot and Michel Serres. Though their authorial methodologies and philosophical convictions vary greatly, all three writer-philosophers postulate a ‘third place’ which exists between the tactile immediacy of lived experience and the tactile distance demanded by philosophical consideration of that lived experience. Bataille, Blanchot and Serres’ markedly differing understandings of the nature of this ‘third place’ owe much to their respective literary treatment of tactility in matters of (sexual) conflict and metaphysical absence in relation to justice. Can these literary motifs of the ‘third place’ truly transcend both philosophical, tactile distance and experiential, tactile immediacy whilst retaining any form of ‘sense’? What can they tell us about the nature of authorial and readerly experiences of textual expression? The research begins now... | |
| Guillaume Collet is currently in the first year of his MPhil and is currently preparing to register for a Doctorat at Paris. He is working on ‘a Subtractive Desire: On the Difference and Repetition of Deleuze and Lacan’. Guillaume has a particular interest in the work of Jacques Lacan and has recently helped to organize a Reading Group on this thinker at Kent University. Guillaume's thesis focuses on the work of Deleuze and Guattari's Anti-Oedipus, which states that desire does not lack and is ontologically productive, being dependent on the workings of the "desiring-machines". It seeks to locate the source of this conception of desire in Deleuze's pre-Anti-Oedipus writings, notably Difference and Repetition and The Logic of Sense. Moreover, throughout, this project will concern itself with the ways in which Deleuze's explicit or implicit conception of desire develops itself within the Lacanian tradition, especially within the context of Lacan's post-1964 seminars, and the student journal Cahiers Pour l'Analyse. The aim of this thesis will therefore be to attempt to question the still widely held assumption that Anti-Oedipus, and more specifically Deleuze's theory of desire, are simply opposed to the Lacanian conception of desire and its necessary relation to lack. (PhD/Doctorat) | ![]() |
Sid Land is currently in the last year of his MPhil and is preparing for his upgrading meeting in September 2009. Having studied part-time as a mature student on the University of Kent's evening programme for French, Sid Land obtained a First Class degree in French (Single Honours) in 2006. Indeed, he received the highest marks for any degree awarded that year by the Languages and Literature Board of SECL. Since 2007, he has been registered for an M.Phil in French at the University of Kent. His subject is the impact of Rousseau's Emile on primary education in the 1960s in England and France. This reflects two areas of interest for Sid. One is his professional life as a practitioner of primary education; the other is his academic interest in the social idealism of the French Enlightenment. When Sid trained as a teacher in 1973, it was at a time when colleges of education were concerned with the notion of teacher education rather than the narrower concept of passing on skills. Now that teacher training is radically different, being more oriented to the demands of society and the labour market, Sid is interested in analysing the impact, in the 1960s, of Rousseauist ideas, both in France and in England. Sid works as a teacher and as a lecturer for the OU. (PhD) For completed Dissertations please click here. |